3
votes
2answers
461 views

How to achieve a rapid violin tremolo

I heard a romanian gipsy fiddler playing dizzyingly rapid tremolo. How can I achieve that?
5
votes
5answers
571 views

Back pain from playing violin

I have been playing the violin for 5 months now. After about half an hour of playing I get a very bad muscle pain in the back my right shoulder blade. I usually ignore it thinking it'll go away, but ...
4
votes
5answers
333 views

Is there a significant difference between playing one note or multiple ones per bow stroke?

So recently I realized that I tend to do just one note per bow stroke for everything I play. I was taking a look at how violinists played, particularly with Fur Elise, which begins something like ...
6
votes
4answers
694 views

Do competent violinists avoid open strings?

I just picked up a violin for the first time in what must be 25 years. All that time ago, I had lessons and playing in school orchestras - but moved on to other instruments. As a beginner I would use ...
5
votes
3answers
249 views

Downshifting in high positions on violin

I'm having trouble going down to fifth position from a higher position. I often land a little offkey (usually flat by a quarter-step unless I overcompensate), I think because that's where the base of ...
3
votes
4answers
284 views

Is there a name for this guitar technique for Paganini's Capriccio #6?

I've spent several years working up Paganini's Capriccio #6 for the violin on the guitar and I wonder if the idea already exists and has a name. For the violin, the piece is a coninuous double-stop ...
4
votes
2answers
428 views

What technical difficulties will I encounter transitioning from violin to 5-string viola?

What is harder to play, violin or viola? My question is should be completely agnostic, i.e. no relation to the classical repertoire or any other rep., nor should it be about the string order. The ...
11
votes
4answers
1k views

What is the difference between 'martelé and 'détaché' bowing?

As the title asks, I wish it could be clear to me. Can someone give me a good characterization? Do you produce them differently on a cello than on a violin or viola?