The craft of writing multipart music such that all notes are transitioned to in a "smooth" or "harmonious" manner consistent with common practice harmony.

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733 views

Is two singing voices occasionaly being unison “allowed”?

I was writing a lower harmony to an existing (rock) lead voice with a given chord progression and there is a point in time, where it seems like the two voices need to sing the very same note. The only ...
4
votes
3answers
231 views

Do the notes of a chord form parallel octaves, even when they are not played simultaneously?

Here is an example of what I'm trying to say The sample below is in Bb major. Do the notes of the bass and the alto form parallel octaves? On the alto voice I'm using delayed resolution. On the ...
3
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2answers
82 views

In Four Part Writing, is an augmented unison interval in a single voice allowed?

I'm composing a traditional four-part part-writing piece with a soprano, alto, tenor and bass. The song progresses from a F Major chord to an A Major chord. In the former chord, the bass is on C, and ...
2
votes
1answer
58 views

Smooth Voicing Leading Explanation

I know what smooth voice leading is, but I'm writing an OS X app that teaches my piano students how to play chords in a gamified way. Just before they play the first level where they have to play ...
0
votes
1answer
149 views

Voice parts singing

What does it mean to sing in unison and in parts...?! For example singing in unison, all voice parts might sing: d r m f s l t d but in voice parts soprano might sing: d r m f s l t d ...
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2answers
56 views

Talking with the audience in a show [closed]

How long is most practical for talking to the audience to create interest? Why talking to the audience is important to create excitement? When is the best timing in a performance for talking to the ...
2
votes
3answers
116 views

Difference between a I7 - V resolution and I7 - IV resolution

I watched a video lesson on the Floyd Cramer style and the teacher said that resolutions of C7-G (I7-V) is no good. We have to use resolutions of C7-F (I7-IV). Why would that be? It was supposed to ...
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1answer
61 views

“Spoiled” suspension

What is the theoretical term for the voice-leading phenomenon whereby the note that a suspension is expected to resolve to appears in another voice on the same beat that the suspension begins? You can ...
3
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2answers
190 views

Voice-leading and Composition

This is a follow up to a post I made a couple of months ago regarding the way the four-part harmony voice-leading, taught in most harmony texts, is to be understood in relation to composition. In the ...
2
votes
3answers
241 views

Does the rule regarding consecutive octaves/fifths actually hold any weight?

I have a melody in which I am trying to write a chord progression for. One of the rules of thumb is to finish a chord progression on the tonic if it precedes a chord of a 5th, and especially of a ...
3
votes
3answers
199 views

Chord progressions : which note resolves to which note

In the key of C , going from G to C, note B resolves strongly to note C. How should the note D resolve? (To note C or E? I guess it should be to note C, assuming the key note has higher "priority". ...
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2answers
991 views

Solfa to sing in a chord

What are the solfeggio notes for each voice part to sing in a chord.? For example playing a C-major, D-minor, A-minor, G-major in the scale of C major, what will tenor, alto and soprano sing in solfa ...
4
votes
3answers
173 views

Does the bass always have to harmonise with the lead?

I have written a half decent lead, at least for my level, and I am now trying to harmonise a bass with it. I am employing one of the most basic kind of methods to achieve this - playing the root note ...
1
vote
3answers
196 views

Voiceleading and piano

I have for a long time been very confused about how the principles of voice leading taught in 4 part Harmony writing relate to music in general. The dogma seems to be that virtually all tonal music is ...
5
votes
2answers
189 views

Are these parallel octaves?

I am writing a chorale in C flat major and I currently have a 3 chord going to a I6 chord. Stacked, the chords are EGEB to EGEC. Is this considered parallel octaves? HELP.
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votes
5answers
542 views

Locked Hands Passing Chords

For the "locked hands" block chord style, I've noticed that diminished chords can be used as passing chords to get from one chord to another or one melody note to the next if staying on the same ...
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vote
0answers
281 views

How to create four-part harmonies? [closed]

I am struggling with writing a four-part symphonic or choral piece. That is, a piece where SATB are each distinct and present. Example 4-Part Harmony: Handel's Hallelujah Chorus. For others see any ...
8
votes
2answers
4k views

Common Practice Music Theory - Easier method to memorize 4-part harmony doubling rules?

My main question is in the title above. Chords in Common Practice Style only have three notes, so in 4-part harmony (SATB), one note will be repeated. In music theory, there are a ton of doubling ...
2
votes
3answers
137 views

Harmonic Progression

I'm trying to figure out how to do this harmonic progression thing. What I did so far was write out the scale of all the roots. Now I'm trying to determine the common tones. I don't see any common ...
6
votes
2answers
366 views

Voice-leading with three chords in first inversion?

Hey guys just keeping my part writing skills sharp (not flat) for the long summer. I got this out of Assignment 9.4 of Robert W. Ottman's "Elementary Harmony." It's in G♭ major. I was already given ...
4
votes
2answers
223 views

Omitting the 5th in four part counterpoint

When writing four part counterpoint in context of the common practice period it is common to omit the 5th of a chord when in a jam. Is it always ok to omit the 5th and are there times when the 5th of ...
5
votes
4answers
932 views

Looking for software that checks for voice leading mistakes in MIDI, MusicXML, or MuseScore formats

I've been learning voice leading with a mixture of on-line classes and some reading. Receiving feedback for exercises can be troublesome sometimes. I was thinking if there is a way to cut that ...
19
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5answers
10k views

What is Voice Leading?

In both classical music and jazz, we often encounter the concept of voice leading. What is it?
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5answers
6k views

How to differentiate between a diminished fifth and an augmented fourth interval?

Both are a tritone appart, both sound the same. How can we differentiate when an interval is an augmented fourth or a diminished fifth? Context: In voice leading we learn that when the spelling of ...
3
votes
3answers
368 views

Is raising the flat 7th scale-degree of a mode to become a leading tone to the final still modal?

So for example, taking mixolydian mode, the third of the vm7 chord (the flat seventh of the mode) is raised to create a V7 chord (as commonly occurs in tonal music in a minor key) which is then ...
8
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1answer
3k views

What are the rules for using diminished chords in part writing?

If I use diminished chords such as ii diminished chord from the minor scale then do I according to the rules for proper part writing use the first inversion of ii diminished. What is the reasoning ...
2
votes
1answer
152 views

Octave apart voicing

Strictly speaking, can adjacent voices (aside from tenor and bass) be an octave apart from each other? They can't be more than an octave apart but is it a violation of principle to make them an octave ...
8
votes
3answers
293 views

Are minor sevenths allowed in baroque counterpoint?

Are minor sevenths allowed in baroque counterpoint? I ask because in the first measure of Bach's Invention No. 1 the upper voice and lower voice have an interval of a minor seventh (the upper voice ...
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vote
1answer
204 views

Diminished Intervals in Voice Leading

I know that augmented intervals within part writing in both minor and major keys is forbidden but what about diminished intervals? For example if I we're in e minor and in 3/4 time and I'm writing a ...
4
votes
1answer
146 views

Are repeated octaves permissable in a fourt part SATB?

I am writing a four part SATB (soprano, alto, tenor, bass) and wanted to know if repeated (that is, successive) octaves are permissible? I know that parallel fifths/octaves are not allowed, but what ...
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vote
2answers
255 views

Harmonizing melody exercise question with specific parameters

I'm reading the book Harmony for the computer musician and there's an exercise where you need to harmonize 3 notes of a melody in D major, parameters are: you must use the same note length as the ...
10
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4answers
2k views

Voice leading confusion

I perfectly understand the theory of voice leading when explained in most theory books about moving voices between chords in the shortest possible manner to give a smooth connection between chords. ...