The craft of writing multipart music such that all notes are transitioned to in a "smooth" or "harmonious" manner consistent with common practice harmony.

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Talking with the audience in a show [closed]

How long is most practical for talking to the audience to create interest? Why talking to the audience is important to create excitement? When is the best timing in a performance for talking to the ...
2
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3answers
99 views

Difference between a I7 - V resolution and I7 - IV resolution

I watched a video lesson on the Floyd Cramer style and the teacher said that resolutions of C7-G (I7-V) is no good. We have to use resolutions of C7-F (I7-IV). Why would that be? It was supposed to ...
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1answer
50 views

“Spoiled” suspension

What is the theoretical term for the voice-leading phenomenon whereby the note that a suspension is expected to resolve to appears in another voice on the same beat that the suspension begins? You can ...
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2answers
68 views

Voice-leading and Composition

This is a follow up to a post I made a couple of months ago regarding the way the four-part harmony voice-leading, taught in most harmony texts, is to be understood in relation to composition. In the ...
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3answers
164 views

Does the rule regarding consecutive octaves/fifths actually hold any weight?

I have a melody in which I am trying to write a chord progression for. One of the rules of thumb is to finish a chord progression on the tonic if it precedes a chord of a 5th, and especially of a ...
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3answers
136 views

Chord progressions : which note resolves to which note

In the key of C , going from G to C, note B resolves strongly to note C. How should the note D resolve? (To note C or E? I guess it should be to note C, assuming the key note has higher "priority". ...
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2answers
146 views

Solfa to sing in a chord

What are the solfeggio notes for each voice part to sing in a chord.? For example playing a C-major, D-minor, A-minor, G-major in the scale of C major, what will tenor, alto and soprano sing in solfa ...
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3answers
115 views

Does the bass always have to harmonise with the lead?

I have written a half decent lead, at least for my level, and I am now trying to harmonise a bass with it. I am employing one of the most basic kind of methods to achieve this - playing the root note ...
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3answers
141 views

Voiceleading and piano

I have for a long time been very confused about how the principles of voice leading taught in 4 part Harmony writing relate to music in general. The dogma seems to be that virtually all tonal music is ...
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2answers
137 views

Are these parallel octaves?

I am writing a chorale in C flat major and I currently have a 3 chord going to a I6 chord. Stacked, the chords are EGEB to EGEC. Is this considered parallel octaves? HELP.
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5answers
323 views

Locked Hands Passing Chords

For the "locked hands" block chord style, I've noticed that diminished chords can be used as passing chords to get from one chord to another or one melody note to the next if staying on the same ...
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0answers
190 views

How to create four-part harmonies? [closed]

I am struggling with writing a four-part symphonic or choral piece. That is, a piece where SATB are each distinct and present. Example 4-Part Harmony: Handel's Hallelujah Chorus. For others see any ...
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2answers
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Common Practice Music Theory - Easier method to memorize 4-part harmony doubling rules?

My main question is in the title above. Chords in Common Practice Style only have three notes, so in 4-part harmony (SATB), one note will be repeated. In music theory, there are a ton of doubling ...
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2answers
267 views

Voice-leading with three chords in first inversion?

Hey guys just keeping my part writing skills sharp (not flat) for the long summer. I got this out of Assignment 9.4 of Robert W. Ottman's "Elementary Harmony." It's in G♭ major. I was already given ...
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4answers
654 views

Looking for software that checks for voice leading mistakes in MIDI, MusicXML, or MuseScore formats

I've been learning voice leading with a mixture of on-line classes and some reading. Receiving feedback for exercises can be troublesome sometimes. I was thinking if there is a way to cut that ...
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5answers
7k views

What is Voice Leading?

In both classical music and jazz, we often encounter the concept of voice leading. What is it?
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5answers
4k views

How to differentiate between a diminished fifth and an augmented fourth interval?

Both are a tritone appart, both sound the same. How can we differentiate when an interval is an augmented fourth or a diminished fifth? Context: In voice leading we learn that when the spelling of ...
3
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3answers
310 views

Is raising the flat 7th scale-degree of a mode to become a leading tone to the final still modal?

So for example, taking mixolydian mode, the third of the vm7 chord (the flat seventh of the mode) is raised to create a V7 chord (as commonly occurs in tonal music in a minor key) which is then ...
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1answer
2k views

What are the rules for using diminished chords in part writing?

If I use diminished chords such as ii diminished chord from the minor scale then do I according to the rules for proper part writing use the first inversion of ii diminished. What is the reasoning ...
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1answer
120 views

Octave apart voicing

Strictly speaking, can adjacent voices (aside from tenor and bass) be an octave apart from each other? They can't be more than an octave apart but is it a violation of principle to make them an octave ...
8
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3answers
271 views

Are minor sevenths allowed in baroque counterpoint?

Are minor sevenths allowed in baroque counterpoint? I ask because in the first measure of Bach's Invention No. 1 the upper voice and lower voice have an interval of a minor seventh (the upper voice ...
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1answer
169 views

Diminished Intervals in Voice Leading

I know that augmented intervals within part writing in both minor and major keys is forbidden but what about diminished intervals? For example if I we're in e minor and in 3/4 time and I'm writing a ...
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1answer
125 views

Are repeated octaves permissable in a fourt part SATB?

I am writing a four part SATB (soprano, alto, tenor, bass) and wanted to know if repeated (that is, successive) octaves are permissible? I know that parallel fifths/octaves are not allowed, but what ...
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2answers
231 views

Harmonizing melody exercise question with specific parameters

I'm reading the book Harmony for the computer musician and there's an exercise where you need to harmonize 3 notes of a melody in D major, parameters are: you must use the same note length as the ...
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4answers
1k views

Voice leading confusion

I perfectly understand the theory of voice leading when explained in most theory books about moving voices between chords in the shortest possible manner to give a smooth connection between chords. ...