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5

Two basic philosophies. First is, set everything at 12 o'clock (halfway) and adjust everything up or down until it sounds right. Second is, dime everything (all the way) and back things down until it sounds right. If it doesn't already. There are other things to consider. A common metal thing is to max the bass and treble and pull back on ("scoop") the ...


4

One other thing that took me MANY years to realize. The best EQ and tone settings to please your ear in a room by yourself are going to be surprisingly different from the ideal tone when you play with other instruments, and especially when recording. For example, the best guitar sound when a keyboard / synth is playing chords is often much more treble than ...


4

A good amp, apart from sounding good, should have a long life before it. So check all the controls: do they make a solid impression? Do the pots move smoothly, nothing is loose, and nothing makes noises it shouldn't? If every change in settings comes with its own sequence of "snap, crackle, pop", then this won't get better over time. How much noise does ...


2

If you are using distortion then typically you would start by having bass, treble and mid set at halfway. Increase the bass and treble with no mid you will get the metal tone. Most players keep the mid, bass and treble pretty close in values with each other then adjust the settings slightly depending on the type of guitar and genre. I see most top 40 ...


2

The best way to get the sound you desire is just to play around with the settings. A rock sound makes me think of more overdrive usually, but it depends on your situation. You can get infinite suggestions for what people like to do with their guitar, but they will mostly all be different and ultimately you just have to listen for yourself to find what you ...


2

Disclaimer: I'm one of those folks who always preferred multiple independent components over an integrated system for audio work. That said, I would go with stomp boxes and separate preamps for practically all tone control, and look for a power-amp&speaker box which is as close to the "wire with gain" paradigm as possible. Which means an amp that is ...


1

Realizing that my guitar was a mid-range instrument helped me find what I believed to be the most satisfying tones i.e. not chasing extreme treble or bass. I have found distortion is good for tightening up the sound a little bit, and higher distortion tends to work better for single note passages and diads than it does for chord work. In general terms ...



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