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13

In many ways, everything about playing the piano is about creating illusions. The minute you play a note it begins to decay, yet we find ways of creating the illusion of phrasing. The instrument is percussive, yet we find ways to make it seem more vocal or orchestral. Playing a group of legato notes that don't change pitch is also an illusion and we have to ...


10

Yes it does affect it. The accidental always remains in effect for the remainder of that measure. However, if the two notes are of different octaves, the first accidental does not change the latter notes. If a G5 is sharped, for example, all remaining G5's of the measure will be sharped. G4's, G6's or G's of any other octave will be left natural. A natural ...


7

Legato is a technique, whereas a slur is a marking. As for what a slur denotes, Wikipedia does a pretty good job of handling the distinction between that and legato (see Slur and Legato). The most relevant quote from the legato article: Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some ...


6

What you are looking for is anti-accents, also called ghost notes: (Image taken from the wikipedia.org page on "accents".) The left one is slightly softer than other notes, the one on the right is much softer, and the one in the middle is, well, right in the middle. Ghost notes are often notated with an x instead of a circle for the notehead.


6

You will run into this a lot — basically any time the arranger or composer is trying to make it clear that it should sound like more than one voice. In fact you find it everywhere in the keyboard works of JS Bach, where it can be challenging to play the voices clearly. The way to play it in the 3rd measure is as if the first G was a dotted half note tied to ...


5

A slur of that length tends to be a "phrasing slur" rather than a "legato slur", meaning to play the indicated notes as one consistent and connected unit. When you need to play the same note twice in a phrase, you want the result to be similar to playing two different notes as legato. That implies connecting the other notes not more than you can hope to ...


4

Modulation When music moves from one key to another, it 'modulates'. Modulation is that process. Articulation The 'style' a note is played in. I'm finding this harder to define, but think short, sharp notes vs. long, smooth ones. Articulation is the style a note is played in. Accidentals Sharps, flats and naturals which pop up through the music, and are ...


4

There are several ways to repeat a note legato. The easiest and probably most used is to use the sustaining pedal. Just make sure the pedal is down before the key starts going up and there you have it, basically. Without trying I would guess that the best result in this piece (without doing anything fancy) is achieved by using the pedal for each measure; ...


3

Legato means playing smoothly and in a flowing way. On guitar this it achieved in several ways'Hammering on, meaning playing a note then snapping another finger to a higher fret for the next note. Sort of opposite to this is pulling off, where you play a note, but have another finger on a lower fret as well. Then the first fretting finger slides a little ...


3

I'm not sure if anyone has actually pinned down the date or composer. Searches on Google or Trombone History books don't yield very much. According to a quote from one link I found: Its first deliberate use in performance is fairly recent in the long history of the trombone, and its acceptance as a legitimate technique came somewhat later. Also: ...


3

On the third measure, you play the chord, and hold it for 3.5/4 of the measure. At the last eighth of the measure, you play G again and on the 1st beat of the 4th measure you play the chord again (thus you also play the note G again). On the 11th measure, you play the chord, then you play the notes that follow: Bb, G, Bb, C, Bb and then on the next measure ...


1

I guess you're asking about the G note which is written as held for 2 bars, along with the Bb, except that you're told to play the G again, at the end of bar 3, while it's still pressed down. It's not written too well, perhaps simply, to show that the Bb+G are one voice, while the tune is another. To do it correctly, maybe the G should not be shown as held ...


1

If you are prepared to pay a small fee Tom Quayle, on of the best modern day legato players, has a course called Modern Legato which is in 3 parts, http://tomquayle.co.uk/lessons.html check out the trailers for these lessons on YouTube. The benefit of these lessons are that they also include Tom's hybrid picking technique which you can choose to either use ...


1

You should go to ultimateguitar.com they've got some really good lessons http://www.ultimate-guitar.com/lessons/guitar_techniques/advanced_legato_techniques.html Here's one You've been playing for 5-6 years I think you could start playing advanced lessons Try mixing up between legato and alternate picking for maximum face melting effect You could play licks ...



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