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10

That blues note is nebulous. It can be, and is, anywhere between a minor 3 and a major 3. Listen to blues players, and you'll hear it bent fully from min. to maj., or just hinted at with a tiny flick from minor upwards. The listener probably completes the bend in his mind's ear. It sometimes gets played as a straight major that gets wobbled down to minor and ...


7

The archetypal bluesy sound comes from bending and inflecting the notes within certain ranges. When soloing, I personally play the blues scale on guitar as a pseudo-pentatonic something like this (C tonic): C a 'window' around Eb, covering the range down to D and up to E. F, bending up a little (maybe not as far as Gb) G Bb, with scope to bend up a little ...


5

The so called 'blue note' has it's roots in the African immigrants in the States. Back in Africa, they didn't have the piano to tune their voices to, so they sung what they liked best. When they came to the Western World, they found out the piano (and other instruments of course) and they learned to play it. When they begun to sing the blues, songs based ...


4

A look over the Blue Note article on Wikipedia that Shevliaskovic linked talks a bit about the tuning theory behind Blue Notes, so I'd like to expand on that, as you mentioned wanting a "Mathematical" definition of these notes. The article states that in order to overcome tuning hardships in keyboard creation in the 18th century, Equal Temperament was ...


2

It's still a type of I-IV-V progression, you're just in a minor key (D minor) instead of a major key (F major). The VI-II-III in actuality is a i(Dm)-iv(Gm)-V(A7). There's more then one flavor of blues progressions and this one is derived from typical minor blues progression patternes.



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