Tag Info

New answers tagged

0

I'm a pianist for a contemporary church, and 90% of the time, I only have chords to work off. The main elements are broken chords and rhythm. I will seem a bit dictative here but I don't want to talk too much and feel free to experiment around. (Will use C Major as an example, / = rest) When you play a song with just the piano, you have to fill out every ...


0

The "lazy" way to play ordinary slash chords, is for something chordal in the mid-range (like a guitar, or right hand piano) to play the chord above the slash, and for something monophonic in the bass range (like a bass guitar, or left hand piano) to play the note below the slash. I wonder whether an adaptation of that would apply here. The mid-range ...


1

Possibly the chord marked is not just for guitarists. To get a good voicing, the notes need to be spread over maybe 3 octaves - not easy on a guitar.With clashes like G and Ab and D and Eb,the notes won't sound good next to each other, on any instrument. When they're nearly an octave apart, they often sound great.As there are 7 notes anyway, at least one ...


10

Unless you have a seven string guitar, this chord is impossible to play on guitar if you want all chord degrees represented. Since it is a G-minor chord over an Fm7, you can really think of the total composite chord as an Fm13, which is a pretty standard jazz chord for guitarists. . . or any jazz player for that matter. What notes you leave out in part ...


4

Check out Chopin's etude op 10 no. 2 in A minor. He uses this kind of device all throughout. In fact, it's just what you're taking about, a C and C# at the same time.



Top 50 recent answers are included