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Perhaps it depends what you call "Music". For example, the rhythm of a train running by has been used/referred to in many tunes and used as inspiration for rhythms, or directly sampled. Let's take it back to a time before anyone had done that... Is the train a musical instrument ? No - until someone starts seeing it as such. So would there be a genre of ...


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Create a new genre? Every composer and every composition has it own style. 'Genre' is a term which comprise compositions that are similar in style, techniques and instrumentation (and in other attributes). Sometimes it even only means the use of a composition, like video game music (which has no unique style; only the instrumentation was similar in the 8bit ...


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Now D♭ major, that's a woody kind of key. The brass likes B♭ and a bit of E♭, but D♭ contains enough flats to act as a brass repellent. Not tinny at all. On the keyboard, it is about the simplest key of all as opposed to C major where all keys feel the same. But the scores read awful. Like the French language: you can speak it when suitably drunk, but ...


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When you ask about "moods" of keys, it's important to qualify what era of music (or more specifically, what tuning system) you are asking about. This is because a large portion of what gave keys their individual color was the interval relations they contained, as a result of a specific tuning system. In the Baroque Era, when keys had distinct moods because ...


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This is a little bit like asking, "when should a sunset be painted orange vs pink?" The word 'should' suggests that there is some normative standard which we can all agree on when it comes to the selection of a key. But there isn't; it's a matter of personal preference. There are some practical considerations that you might consider. Certain combinations of ...


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"Musical Theater" is as broad of a category as they come. From the almost primitively classical works of Gilbert and Sullivan to modern avant garde styles that defy analysis, and every classical and popular style in between. You'll need to specify a composer or show that you want to sound similar to in order to get a specific answer. One thing I'll point ...


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http://www.hooktheory.com/theorytab/view/flight-facilities/stand-still-feat-micky-green---wave-racer-remix This has the first couple of bars worth of chord progressions for this particular track. It might help you a little. Good luck.


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It depends. It's not important, in the sense that it is not needed. There are different input dynamics, you use the one that you are more comfortable with. It can be important, though. If you are not comfortable with piano rolls, sequencers, or performing the piece, or with any other notation/input system, and you are proficient with score writing, then ...


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In a general, introductory sense, in order to develop a more comprehensive facility with tension in your composition, I'd challenge you to change your perspective. The large majority of your examples indicate a relation to pitch (you talked about harmony extensively, mentioned melody briefly, and wafted by rhythm). The key here is to be simultaneously and ...


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It sounds like you're thinking in terms of resolution. Consonance and dissonance are also important concepts, describing how harmonious or conflicting concurrent notes are together. (This is ultimately related to factors such as the lowest possible ratio of the notes' frequencies, their timbres, how long we hear them together, their melodic and harmonic ...



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