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On the one hand... Often the plucking hand thumb will look after the E string, and some players use the extra fingers on that hand to damp the upper strings. Or use the side of the palm/pinky to damp other strings. An acquired idea, but it leaves the gap where your finger joins your palm with a gap for the played note to ring. On the other hand... Use the ...


4

When playing a fretted note on the A string, the fingers of your left hand have to pass over the D and G strings anyway. If you want to mute the strings you aren't playing, you can use this to your advantage. Allow your fingers to gently touch these strings, not enough to fret, simply to rest there. Also, if you're playing an open note on the A string, ...


1

My approach would be to assume that this was written for double bass, and that the intention was to give that section a different texture and/or rhythmic feeling than the previous section. And I'd try to listen to the group as a whole and figure out how you can help create that same sense of contrast in your group's performance (without necessarily trying ...



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