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In terms of Liszt’s music, the label “piano transcription” is often misleading. Although Liszt did write many (relatively) faithful transcriptions, such as the Beethoven Symphony series, most of his derivative works were concert paraphrases or “enhanced” transcriptions, such as his version of Danse Macabre. Among piano composers, Liszt was one of the ...
Medieval German notation for modal music (for all instruments and voices, not just for fretted stringed instruments) was essentially tablature, but using letter names for the notes instead of fret numbers as in modern tab notation. In early modal music, the only "altered" notes were B flat and B natural, which were written using different "square" and "round"...
There were others. Some one (or some authors) called the authors of several treatises "Anonymous #" for various numbers (#). https://en.wikipedia.org/wiki/List_of_music_theorists lists quite a few and assigns each a work, that one wrote. THere are also some not having a number but a location instead. Anonymous 4 seems to be the most commonly referenced.
The prova all'italiana is the first rehearsal that put togheter singers chorus and the orchestra that usually play on stage performing the opera just like an concert... it is used to put togheter just the music an singing and that's it. After that there are 3 "prove generali" the first with all of the opera set but just with the piano playing the music then ...
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