Hot answers tagged improvisation
It's just a name: it used to be based on four bars, which probably would comprise one set of chord changes (eg doowop, I vi IV V), but could just as easily be two or eight bars. It's like calling a song's bridge a 'middle eight', even though the number of bars may be different. The Beatles always called their bridges 'middle eights'.
It's funny that you tagged this question in 'technique', because that's obviously not your problem. I think your technique is far ahead of your ears. Once you learn advanced techniques, that involve fast playing, it's hard to go back and improvise slowly, note by note. But that's what you need to do in my opinion. Get some ear training software (like this ...
In swing setups such (e.g. tenor sax battles), it is not uncommon so see "trades" of varying (typically decreasing) length : trade 16, then trade 8, trade 4 and sometimes even trade 2 then trade 1, each time building up the tension. Things could also end in both musicians improvising simultaneously. Nice example from Robert Altman's Kansas City: ...
"Trading twos" is definitely a phrase people use. "Trading eights" might be. More generally, you can call it "trading licks". 8 bars is long enough to be thought of as a whole solo. Get any longer than this and you're not really "trading" any more; you're just taking it in turns to solo. When I say "trading", I mean that you base your lick on whatever the ...
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