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http://www.music.indiana.edu/department/composition/isfee/ It's important to know not just the ranges, but how the instruments operate in each part of their range. This site has real demos alongside the written music and fairly thorough explanations of the techniques available. I've seen a lot of resources like this and this is the only one I have no ...


2

Well, one way to do it is to bypass the internal sound generation and only use the ribbon as a “master keyboard” to an external digital synth. I did a video on this ages ago... A cooler solution would be to replace the pitch control with a digital potentiometer, e.g. controlled by an Arduino. This would allow ...


0

It's really hard to diagnose something like that over the internet. We all have widely varying embouchures. One person may need to have their placement be really low (very little upper lip in the mouthpiece like Kai Winding or trombone shorty) or very high (the opposite, like Joe Alessi), or off center vertically... or it could be fairly centered (like ...


4

There are lots of things you could do. I'll mention a few here (see bottom of my answer) but you should talk to a teacher or a live trombone player for more specific exercises for you. The big important thing for you (and other people) to realize is that range works two ways: if you want to play high, you have to learn how to play low. You must increase ...



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