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Your score should ideally contain all of the information necessary for a professional musician to sightread the piece properly on the first try. By "properly," we just mean that they understand the basic techniques they need to execute to convey the idea of what you want. If you don't care what they do, then don't include markings! And to the contrary, there ...


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I have found (and have been taught) to include a lot of dynamics, articulations, slurs and markings. If your music fits stylistically into well established genres, it probably requires fewer markings in order to get a good interpretation. Conversely, if your music is less conventional, then the more information you give to the performer about what you had ...


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I think this depends purely on you. If you want to write a song that you want to be played the way you hear it in your head, you have to add markings; otherwise, you can let the musicians play it the way they feel. The latter would be really difficult in an orchestra; this is why the orchestra scores usually have a lot of markings, whilst the small ones can ...



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