Tag Info

Hot answers tagged

7

If your open string is in tune but your higher frets are out of tune it is the string length that is the problem. If your bridge adjustment has moved to its full travel and intonation is still out, you should get a quick look at your truss rod adjustment, in case your neck is really out of whack, but aside from that you don't have many options. Have you ...


6

Yes string length does affect intonation and so does a proper set up with regard to neck, bridge, string guage, and action. Before going into any Bigsby enhancements lets review the key differences between a Gibson Tune-o-matic bridge vs. a Wraparound bridge. The Tune-o-matic allows for fine tuning the intonation, while the standard Wraparound has fixed ...


5

Along any single string, one could (in principle) achieve any desired intonation by appropriately placing the frets; fanning implies some desired relationship between the intonation on the different strings -- but it's unclear from your question where you are going with that. Playing a fretless guitar (not very common, but fretless basses and all orchestral ...


4

Warwick specifically used to specify that tapered strings were required for their basses (especially on the B). Some will note that tapered strings can also help with intonation. Doing research for tapered strings showed that DR Longnecks (tapered) strings actually have intonation issues so I suggest not picking those up to try and fix your current issue. ...


4

For a classical orchestra the priority is, to be in tune with your voice group e. g. first violins. A voice group consists of same instruments, so no problem, they play as you've been teached. The instruments with discrete tuning are only a few (piano, celesta, marimbaphone, xylophone, organ come to my mind) and these are unlikely to have prominent sustained ...


4

I want to make an addition to all these excellent answers. With just intonation, it's not possible to make all the chords just. Not even in a single key. Let's look at the common just major scale based on I, IV and V just major triads: C 1:1 D 9:8 E 5:4 F 4:3 G 3:2 A 5:3 B 15:8 In this scale, I, IV, V major triads (4:5:6) and iii and vi minor triads ...


4

Well Have you tried practicing scales? The way I see it that's the most efficient exercise to develop "muscle memory" so that your fingers will remember where to go. Play common scales like G major, C Major as well as Ab Major (4 flats) and B Major (5 sharps) so that your fingers cover all the areas. and once you've done 1 octaves, try 2 octaves and try ...


3

I'm used to the first couple frets being sharp so I'm not sure why yours are flat, but otherwise it's very common. It's pretty much impossible for a fretted instrument to have perfect intonation - it's always a compromise. Since it's an electric guitar, you can individually adjust the intonation of each string any time you want. This is done at the bridge ...


3

You should go to a professional guitar repair technician or luthier. They can look at it and give you a quick assessment of what is probably wrong for no charge. I would guess that the nut of the guitar, and the string slots, are cut wrong. Modifying the nut and fret slots, or replacing the nut entirely and then hand-cutting the fret slots, is not a very ...


3

To directly answer your question: Same brand - no. Definitely not. Brands don't make a difference in terms of intonation, and different types of strings (rounds vs flats, for instance) shouldn't have a major effect either. Same gauge - while your bass or guitars won't be affected in terms of intonation by the gauge of the string, it's always worthwhile to ...


2

To clarify some points: It's the length of string between the saddle and the nut that affects intonation. An adjustable wraparound will fix intonation due to that length being adjustable. The part of the string after the saddle does not affect intonation, as noted by @Fergus. So yes, string length matters, but not the part behind the saddle like you get with ...


2

Are you using an alternate tuning? I don't understand how there would be more than minor changes in intonation with changes in string gauge in standard tuning. If you are using an alternate tuning and it's sufficiently alternate--like you're tuning your guitar in fifths--then you're going to have some problems with intonation for some strings and frets ...


2

To the best of my knowledge, Finale and its sound libraries do not support anything other than 12-tone equal-temperament at A=440 Hz. However, you can purchase the full version of the stand-alone Garritan Personal Orchestra program and use it with Finale in place of the built-in Finale sounds. Garritan Personal Orchestra's ARIA playback engine can be used ...


2

I was taught that when playing a triad, the third should be played sharper and the fifth flatter than the notes would normally sound. Uh, no? "Would normally sound" is usually used to describe the equally tempered scale whereas "playing a triad" implies a tendency towards pure intervals. A perfect major third is about 386 cents (14 cents flat from a ...


2

Not sure how you measured your action, but, according to your comment, a quarter inch is a lot. So I guess your action is much too high, which means that when you press down the string on the first several frets you actually stretch the string and raise its pitch. I can think of two causes for this: the neck could be too concave, which can be fixed by ...


2

Since you stretch your strings and would prefer not to have your guitar worked on at a shop, a quick fix would be a lubricant. Before the Floyd Rose tremolo system existed, lots of players would apply lubricants to the nuts of their guitars as needed. This allows the strings to slide through the nut when bent or when used heavily by a whammy bar. Van Halen ...


1

Many years of being a guitar picker,one thing I will state, if you buy a new guitar and it plays good but on the first change of the strings you begin to notice detuning ,most guitar pickers after many years of picking don't know.If the guitar was set up with light weight or what ever gauge strings from the factory and you change the strings to a different ...


1

I have somewhere on my computer an OpenMusic patch that does just that. It’s far from perfect, as I just wanted to play a little bit with OM, which I hadn’t use in a long time. I could make it available if you’re interested. Here’s how it works: each note is sent to a different MIDI channel — yep, that means you use most channels just for a single ...


1

It looks like Fluidsynth just interprets MIDI data, so it is really up to who/what is providing this data to make tuning adjustments. One could design a MIDI in-out tuning "converter" that took in MIDI 12-TET notes from a simple controller and output those notes with the tuning adjusted to a specified 12-note scale. You can't take arbitrary 12-TET input and ...



Only top voted, non community-wiki answers of a minimum length are eligible