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7

If your open string is in tune but your higher frets are out of tune it is the string length that is the problem. If your bridge adjustment has moved to its full travel and intonation is still out, you should get a quick look at your truss rod adjustment, in case your neck is really out of whack, but aside from that you don't have many options. Have you ...


6

A pithy way of saying it is that intonation is the process by which a temperament is achieved. Intonation is what is done in order that the sound is produced at the desired/intended pitch. This can be done as part of instrument setup, e.g. "setting the guitar intonation", or as an integral part of performing the music, e.g. as in expressive intonation. ...


6

The difference is that the nylon strings on the classical are all close to the same diameter, whereas on the steel string the diameter of the smallest string might be about 20% of the size of the diameter of the largest. This matters because the physics you have learned is simplified. Only string that have no thickness and no stiffness exactly fit the ...


5

Along any single string, one could (in principle) achieve any desired intonation by appropriately placing the frets; fanning implies some desired relationship between the intonation on the different strings -- but it's unclear from your question where you are going with that. Playing a fretless guitar (not very common, but fretless basses and all orchestral ...


4

There is a notation form I have come across called Sagittal notation. It seems pretty comprehensive for microtonic notation. The Sagittal notation system is a comprehensive system for notating musical pitch in all possible scales and tunings - a universal set of microtonal accidentals, equally suited to extended just intonation, equal divisions of the ...


4

Warwick specifically used to specify that tapered strings were required for their basses (especially on the B). Some will note that tapered strings can also help with intonation. Doing research for tapered strings showed that DR Longnecks (tapered) strings actually have intonation issues so I suggest not picking those up to try and fix your current issue. ...


4

Well Have you tried practicing scales? The way I see it that's the most efficient exercise to develop "muscle memory" so that your fingers will remember where to go. Play common scales like G major, C Major as well as Ab Major (4 flats) and B Major (5 sharps) so that your fingers cover all the areas. and once you've done 1 octaves, try 2 octaves and try ...


4

You are incorrect in your assertion that there is a physical law being broken here. A guitar has six strings of different diameters, different materials (some strings are a plain length of steel wire, whereas others have other wires wrapped around the steel wire core) and tensile strengths, tuned to different pitches. As a result, there must be a compromise ...


3

Note: For the sake of discussion, I'm limiting myself here to equal temperaments, which is the most common way of tuning keyboards. Other systems exist, of course, but would probably only confuse the matter. Why do B and C and E and F not have a sharp note between them? Simply because, acoustically speaking, there is no room in our current system for ...


3

I'm used to the first couple frets being sharp so I'm not sure why yours are flat, but otherwise it's very common. It's pretty much impossible for a fretted instrument to have perfect intonation - it's always a compromise. Since it's an electric guitar, you can individually adjust the intonation of each string any time you want. This is done at the bridge ...


3

You should go to a professional guitar repair technician or luthier. They can look at it and give you a quick assessment of what is probably wrong for no charge. I would guess that the nut of the guitar, and the string slots, are cut wrong. Modifying the nut and fret slots, or replacing the nut entirely and then hand-cutting the fret slots, is not a very ...


3

To directly answer your question: Same brand - no. Definitely not. Brands don't make a difference in terms of intonation, and different types of strings (rounds vs flats, for instance) shouldn't have a major effect either. Same gauge - while your bass or guitars won't be affected in terms of intonation by the gauge of the string, it's always worthwhile to ...


2

Since you stretch your strings and would prefer not to have your guitar worked on at a shop, a quick fix would be a lubricant. Before the Floyd Rose tremolo system existed, lots of players would apply lubricants to the nuts of their guitars as needed. This allows the strings to slide through the nut when bent or when used heavily by a whammy bar. Van Halen ...


2

Are you using an alternate tuning? I don't understand how there would be more than minor changes in intonation with changes in string gauge in standard tuning. If you are using an alternate tuning and it's sufficiently alternate--like you're tuning your guitar in fifths--then you're going to have some problems with intonation for some strings and frets ...


2

To the best of my knowledge, Finale and its sound libraries do not support anything other than 12-tone equal-temperament at A=440 Hz. However, you can purchase the full version of the stand-alone Garritan Personal Orchestra program and use it with Finale in place of the built-in Finale sounds. Garritan Personal Orchestra's ARIA playback engine can be used ...


2

Not sure how you measured your action, but, according to your comment, a quarter inch is a lot. So I guess your action is much too high, which means that when you press down the string on the first several frets you actually stretch the string and raise its pitch. I can think of two causes for this: the neck could be too concave, which can be fixed by ...


2

Why do you require abbreviation? If there's a perfectly good term for this that doesn't use an abbreviation, will it be acceptable? "Notes per octave" or "pitches per octave" seem pretty widely used, universally understood, and tuning-agnostic. As an extension of this, scales themselves can be described as n-tonic, where n is a Greek number (as in, ...


2

If you are talking about microtonality - of which I know little, there will have to be a lot more than just changes to E/F and B/C. It's possible to have notes between any adjacent semitones. There could be as many extra notes between G and G# as between E and F. It just happens that it's accepted (and has been for centuries) that the note called F is ...


2

In your photo, it appears that the saddles have a wedge-shaped top that is angled on one side only, while the other side is straight/flat. Three appear to be angled in one direction (reflecting the light) and three appear to be wedged in the opposite direction (not reflecting the light). If you reverse a saddle like this, you should be able to get some ...


1

With a Fender style bridge you just need to loosen one string a little and adjust height and intonation, then retension. To adjust intonation on a one piece (Les Paul style?) bridge you need to loosen a string quite a lot more to allow access to its intonation adjustment at the rear of the bridge. For height adjustment on a one piece bridge you'll need to ...


1

Why do you want to take the strings off to do that? Slacken the one specific string you are working on slightly if you are raising the action or adjusting the intonation rearwards; keep compensating for pitch as you adjust. Otherwise it's just repetetive guesswork as to what it will be like once you reassemble it.


1

I have had the same type of problem with all of my Les Pauls which have the same type of tune-o-matic bridge and stop tail piece. I recommend that you try the previous answer and turn the saddle in question around and see if that gives you the extra room you need. If that doesn't give that extra room purchase a bridge that is wider and that will give you ...


1

Unscrew a saddle so that the screw comes out completely. Turn the saddle through 180 degrees, and replace. It'll give another 2 or 3 mm of adjustment. The intonation looks a little out to me, as B strings are usually longer than the 1st and 3rd.To raise the action, use the two screws at either side of the bridge. Moving saddles tends to change the intonation ...


1

Well, before the keyboard instruments were well tempered [think of the Well-Tempered Klavier], it was impossible to play in tune (i.e. with good intonation) in certain keys. And by the old system it would be impossible to do the annual (or semi-annual) tuning in such a way as to be able to play all keys in tune. Modern string players still have this ...


1

Many years of being a guitar picker,one thing I will state, if you buy a new guitar and it plays good but on the first change of the strings you begin to notice detuning ,most guitar pickers after many years of picking don't know.If the guitar was set up with light weight or what ever gauge strings from the factory and you change the strings to a different ...


1

The simple answer is that the layout of the piano keyboard is the most useful and efficient possible for playing in equal temperament. If you want to play music in all 12 Major and all 12 Minor keys, this is the keyboard you need. As another answer has observed, our notation system is centered on the key of C Major, so it is only natural that the keyboard ...


1

There are some ambiguities in the way your question is stated. It is difficult to interpreted it in a non-arbitrary way; if you suggest adding one key for E# in addition to the present F key why not suggest for example the addition of two keys for B-flat and A-sharp respectively? And if you suggest reinterpreting E# as the quarter-tone between E and F, why ...


1

I have somewhere on my computer an OpenMusic patch that does just that. It’s far from perfect, as I just wanted to play a little bit with OM, which I hadn’t use in a long time. I could make it available if you’re interested. Here’s how it works: each note is sent to a different MIDI channel — yep, that means you use most channels just for a single ...


1

It looks like Fluidsynth just interprets MIDI data, so it is really up to who/what is providing this data to make tuning adjustments. One could design a MIDI in-out tuning "converter" that took in MIDI 12-TET notes from a simple controller and output those notes with the tuning adjusted to a specified 12-note scale. You can't take arbitrary 12-TET input and ...


1

Just intonation does produce harmonic sounds; perhaps the most harmonic sounds possible. You are correct that for a Justly tuned system to work, then each of the tones that you use will need to be adjusted relative to the current tonic. Because of this, you are correct to think that there will need to be many different 'flavors' of each note, depending on ...



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