Hot answers tagged latin-jazz
Used like this "Latin" is a rather non-specific term. Markings denoting specific styles of Latin American Music, for instance Bossa-Nova, Samba, Mambo, Rumba, Salsa etc. would suggest particular associated rhythmic patterns, particularly for bass and drums. However, this generic use of the word "Latin" leaves a lot of room for interpretation by the ...
A vamp is a repeating musical figure, like a guitar riff. In jazz, Latin jazz, and musical theater it’s often given for the accompaniment so that they can repeat as necessary during intros or solos, in which case it may be noted as “vamp until ready” or “vamp until cue.” Depending on the style and band, players may improvise on the vamp. The “open vamp” ...
you literally just point your bell into the stand, not directly touching it, but the sound should be muted by the stand
As a percussionist having played folkloric Afro-Cuban music, popular "Latin" music, jazz, Brazilian batucada & bossa nova, etc. for over 20 years now, I can say that Bob Broadley's answer is is really pretty clear and accurate. Calling something a "Latin" beat is really vague. Someone who actually performs any type of "Latin" music wouldn't even use the ...
A lot of salsa tunes use rumba clave instead of son and the bass tumbao is used the same in both. However, it doesn't match quite as well because the last beat on the three-side of the rumba clave occurs on the 'and' of 4, whereas the bass tumbao usually plays the anticipated note on the 4. Of course, the bass can emphasise the 4+ as well if desired. I ...
There's actually some disagreement on that actually... People do it all the time... play clave in "afro-Cuban" or any & every "Latin" "style", usually if they're that vague about it... everything just starts sounding "Latinish". I used to play in Caribbean bands all the time and there's a big difference in how those drummers & percussionists ...
The piano figure in salsa/latin jazz is called a 'montuno' and it does share some of the characteristics of the bass tumbao but it is rhythmically different. However, the piano montuno and bass tumbao work together with the clave and percussion to create the overall sound - to learn more about this I'd recommend the excellent Salsa Guidebook by Rebeca ...
The bass line you describe is a typical son salsa bass line - the tumbao rhythm. To stay in the salsa idiom you should let the piano play salsa piano which I believe commonly anticipates the next chord just like the bass, yes. Actually I think it's not an anticipation but rather where the next chord or "bar" starts in salsa, but it would look like a mess ...
Shift the accents from the strong beats to the weaker beats in the measures marked Latin, as per syncopation. A Brazilian percussionist reminds me that in Samba, the joke is, "Where's the one?" Here's a youtube of Bill Evans... Might help? [Disclaimer: I am not a qualified Jazz bassist, nor Latin Bassist.]
Here's what I was taught by my teacher with regards to solo piano when I was first starting off with him. It is a method to play solo piano with the chord spread out between both hands and the melody as the top note of the chord. It's definitely not the only approach to this, but it is a systematic approach that really helped me. Let's say you're playing ...
You've lots of low notes at your disposal! Just use them with l.h. and put the top parts of the chords in with r.h. Assuming you're accompanying a soloist of some sorts. If not, then you'll have to maybe arpeggiate 1,5 etc. with l.h. and some sparse chords along the melody with r.h.
A vamp is a pattern, usually a simple pattern like one or two chords, that you keep repeating for the purpose of getting into a groove or letting one of the musicians take a solo.
If your worried about catching your bell on the stand, try a bucket mute for a similar effect. It may be about keeping control of volume, or it could be a stylistic effect.
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