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You might almost say they didn't "work" in terms of sounding good as much as those transitions help make the music sound whimsical. It's not like they fit inside some sacred rules of harmony as much as they broke the rules in a certain way that makes that theme effective in setting the tone for the show. Also the main motive is repeated (more or less) in ...


One of the first things to observe is that the tritone F#-C should be avoided, because it suggests a dominant sound (leading to G). Consequently, don't use the II7 chord (D7 in the case of C lydian), and don't use IVm7(b5) (F#m7(b5) in C lydian) either, because both contain the tritone. Note that the triad II (D major triad) can be used. Progressions in ...

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