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7

To follow up Wheat's definition answer, here's how I would play this: When playing glisses on wind instruments, especially in a contemporary or jazz context, the change in pitch should be as continuous as possible. In contrast, a piano is only capable of playing absolutely defined pitches, so glisses all sound like a fast scale (chromatic or otherwise). ...


5

Musescore is free as opposed to many other programs such as Sibelius or Finale. However, it is still very good and can do almost everything that paid programs can do. One of the input files accepted in Musescore is MIDI and it can output PDF among other formats. However, as guidot said, it takes a human to do it right because a MIDI file does not contain ...


4

The first example is a glissando. Wikipedia defines this as "A continuous, unbroken glide from one note to the next that includes the pitches between." The second example is a fall-off, meaning to glissando downward in pitch to an unspecified point (you choose how far to go), possibly with a rapid decrescendo to silence.


3

This is not quite a "conversion", since the midi file is on a much lower level than a score. So while you will surely get some output, it is more than questionable, whether somebody can play from it without considerable editing. As an example midi contains nothing about a key and so has to make wild guesses concerning accidentals, same for time signature, ...


2

My answer starts with (and assumes) the definition of glissando provided by @Wheat Williams And basically disagrees with the first (currently accepted) answer by @NReilingh NReilingh says: The playing technique for this kind of gliss on saxophone will involve a mixture of embouchure bend and fingering, and the emphasis should be on the embouchure. ...



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