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31

There are several reasons. When new strings are put into a piano, they slowly "stretch" or relax and go flat. In a day it will be out of tune. You have to tune it 2 or 3 times the first month. After a few months the strings will have settled in and will stay in tune better. If the pinblock is very old, the pins can slip, making the notes go flat. The ...


28

Wrong reps create wrong results. DO NOT play fast and wrong. Practice as slowly as you need to to avoid wrong notes. This is very important. The reason that you need to practice in the first place is that you need to create muscle memory. If you tell your muscles to do the wrong thing they will remember to do the wrong thing. Every instance of ...


26

In a key where there are already some sharps (or flats) in the key sig., as here, every time one of those notes is played, it has to be sharp (or flat). In E, or C#m, the key here, every other note is natural - E, A, and B. So if a note sounding like a C needs to be played, it can't just be written as a C, because the player would automatically sharpen it, ...


18

This question got me curious, so I started googling. Keyboard size is not officially standardized (there is no committee creating and enforcing standards), but in practice, there is very little variation. Browsing through forum topics on www.pianoworld.com, people measured 88 key keyboards from anywhere between 48 inches to 48 1/2". Wikipedia ...


18

This is a really broad question, so I'll touch on all the parts only briefly. The assumptions I'm making are: by complete beginner, you mean a beginner at recording, not playing piano you want to make a high quality recording of an acoustic piano performance you want the recording to be digital The minimum components you need to do this well are: a ...


17

Is this handwritten or printed? Is the notation of German origin? In German, the notes E flat and A flat are called Es and As.


16

If the only reason you want to learn piano is for ONE song at your wedding, I'd say don't go down that road. A non-sucky wedding song is usually at least intermediate level. Pay someone to do it right. Then learn the piano later if you're up for the amount of time and money that takes. Are you going to be ABLE to practice for several hours a week? Are ...


15

Closer inspection revealed the words "DAMPP CHASER". Some Googling revealed that it must be a Piano Life Saver dehumidifier, made by Dampp-Chaser.


15

There are a few different ways to approach transcription and depending on how good your ear is and how much detail you want to put into your transcription. It also should be noted that like practicing an instrument, you get better at transcribing by doing it. In general, you would need the following: A recording of the song to be transcribed Manuscript ...


13

It sounds like you are trying to cram the piece into your head as semantic knowledge, that is to say a string of facts ("...then comes the G7 chord..."). I do not think most -- or possibly any -- accomplished musicians store whole pieces in semantic memory. They store it in procedural memory, and they store it, above all, as the series of sounds of the ...


13

In many ways, everything about playing the piano is about creating illusions. The minute you play a note it begins to decay, yet we find ways of creating the illusion of phrasing. The instrument is percussive, yet we find ways to make it seem more vocal or orchestral. Playing a group of legato notes that don't change pitch is also an illusion and we have to ...


13

I've had about five different teachers over my career as an instrumentalist, and they all taught me to play slowly when I was learning a new passage. The objective has always been to play it as slowly as necessary in order to play it smoothly and without error. In doing so, it will naturally become easier to play it faster later. I believe that playing it ...


13

It sounds to me like you are using the metronome in an effective manner. Your teacher might have been concerned that you, as a young student, would have seen playing in perfect time as an artistic objective. Of course it is rarely such. The musical artist is expressing emotion and other aesthetic insights. Variety of all kinds should be deployed for that ...


12

No, the notes don't all go out of tune at the same rate, and the notes that get hit more often do go out of tune a bit more quickly. Piano strings are strung at one end so as not to move, and on the other end they are held by "pins" (more like pegs) wedged very tightly into a "pinblock", which is a very hard piece of wood with holes in it. When a piano ...


12

Yes, that's a "play both notes". See http://musescore.org/node/14449 for a note on the standard from the US Music Publisher's Association.


12

Counting is an absolutely necessary step when learning a new piece.It is the rhythmic framework of any piece. Without it, you may well be playing a different tune. 'All the right notes, but not in the right timing'. You ask 'do they count all the time?' Well there's no need once a piece is well known to the player. We sound out words as kids, but eventually ...


12

Yes a B# is just a C, but it is written that way because that note is function like a "B" instead of a "C". If you look at the notes you have G#, B#, and F#. Look familiar? It's a G# dominant 7th (5th is omitted, but thats not unheard of). A more focused question on this idea can be seen in this question as to why notes get alternative names.


12

The note is the same key as C. It is written as B# instead of "C natural" to indicate note's "role" according to rules of classical (musical) harmony. My guess is this portion of musical piece is written in Cis-moll, and the arrpegio being played is dominant chord (G# B# D# F#). Because in minor tonalities Dominant chord always has VIIth tone (B is VIIth ...


11

The figure in the Wikipedia article tells you what you are asking, if you're willing to tabulate the deviations by reading the green line. The vertical axis is the number of cents that the key is tuned away from equal temperament, e.g. the C two octaves above A440 (C7) is about 10 cents sharp, i.e. the frequency is a factor of 210/1200 sharp, or the actual ...


11

It is a little hard to tell without seeing the music, but these are unlikely to be time-signatures and marcato markings. The "^" is probably a variable pedal mark, particularly if it is connected to the lines showing the pedal markings. This page shows how this is usually used, it More accurately indicates the precise use of the sustain pedal. The ...


11

I would venture that you're doing it correctly, and that it takes awhile. I was still reaching new levels of mastery over the same basic scales for many years after I began. One thing that accelerated the process, beyond what you described, was practicing the scales in two ways: Imagine "C" is the scale of choice. Imagine its notes C D E F G A B are ...


11

orthodox: adherence to accepted norms Is playing Bach like Glenn Gould orthodox or not? Some will swear by what he does with Bach and probably say yes, while others will cry out loud "Nooooooo"! I think answering your question about using the pedal with Bach faces the same dilemma: since Bach isn't there to tell you what he would like to have heard ...


10

Your best bet is to take a few piano lessons. Many piano teachers give their classes at their own place, on their own piano. It may be a fairly expensive option, but I am sure you can find a teacher who will give you a few sneaky lessons and teach you just that one song. But then again, I hope for you that this song isn't anything difficult. :)


10

C Major is a tempting key on the piano. I would suggest trying to improvise in G Major and F Major. G Major only has 1 sharp, and F Major only has 1 flat. They're pretty easy to improvise over and since you only have 1 black key to worry about it won't be much harder than improvising in C Major. Just stick with those keys for a while, so that you can break ...


10

My answer is ultimately similar to Bob Broadley's, but has one difference that can make for much more readable scores in slightly more complex situations. This is the standard notation for broken held chords like the one you describe, as recommended by Kurt Stone and Gardner Read: The difference here is that you don't rewrite any of the held notes until ...


10

They say amateurs practice until they make no mistakes, while professionals practice until they're not able to make any mistakes... Mistakes include not only wrong notes but incorrect timing, dynamics, and whatever. This might be the cause for the first two characteristics you describe: they both play well but the professional is completely in control ...


10

An 88 key piano will have a TOTAL of 88 keys. White keys + black keys = 88.


10

Hard to describe exactly without a picture/photo, but you place the two fingers you find most convenient at the usual angle for a glissando, keeping them parallel and a fixed distance apart. Then you try it, and it sounds awful, but you practice. And practice. And more practice, until it begins to sound like a real glissando. Then you need more practice. ...


10

Just a few ideas: A keyboard instrument provides a lot more freedom in terms of the number of notes that can be sounded together and the distance between them. It's difficult on a guitar to play a fluidly moving bassline and a chord pattern two octaves above; it's trivial on a piano. The sustain mechanism of a piano allows for all notes to sustain at once; ...


10

It's actually Ped, and just instructs the pianist to use the sustain pedal, in this section.



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