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4

I empathise with you. For years, I played like that. Each solo was learned individually. Then it was realised that some players tended to use the same set of notes in a lot of their solos. For instance, pentatonic minor. Once it was realised that the sound of that scale was distinctive, I could recognise the sound of the same set of notes in other solos.So, ...


3

From what you describe, I wonder if what you need to work on isn't singing, but listening. You hear that you go out of tune when you listen to the playback: good! The thing to do now is listen while you sing. Try singing along with the original track, but quietly, not full-voice. Listen more than you sing. Worry only about whether you match what the track ...


1

I don't think one should really get stuck into learning one specific way to switch from one chord to another. I'm self taught and playing for a year now, so my methods may not be the best, but here are my take on this: One thing that I have learned is to not get stuck on one shape to play a chord or a specific way to change between chords. This can cramp ...


1

Listening to the two versions, the original is a LOT faster than yours- not sure whether that's deliberate but one effect is that you have to hold the notes much longer in the slower version, which possibly makes it seem more difficult than it needs to be. Your timing is good, and your voice itself sounds like it has a nice tone. I'm no singing coach but ...


1

You sound OK for that style of music, but I can hear what you're saying... it's not "garbage" though without some context... how long have you been singing? How long have you been singing "seriously" ?... keep improving breath and diaphragm ... I've been running and singing at the same time at a park nearby, has improved my singing strength tremendously... ...



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