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2

There are basically two classes of effects: linear ones and non-linear ones. From an idealized signal processing view point (discounting noise and quantization), the order of linear effects can be interchanged without a net change in the result. A lot of effects are also time-invariant: start your signal an arbitrary time later, and the result will be the ...


6

Are there general rules or tips on how to organize VSTs? (...) I would like to know if there's a way to arrange VSTs properly, so that every plugin uses its full potential. There's no correct order. It's all about preference, what you want to achieve, and the context. You'll find a lot of suggestions, like putting time-based effects (like delay or ...


2

Once your music hits the public domain, it no longer belongs to you It belongs to your fans. Even if you do label it as a DEMO and release a good studio version later, some fans will prefer the DEMO. If your putting something in the public domain for all to see, its needs to be completed to a quality you all satisfied with as a band. If you release ...


3

Think about what you want with your band. Are you looking to go and tour the world? Are you looking to play local clubs while you're all working? Something in between? Next, consider how important this album is to your goal. If this is just a demo, it's probably alright to release, and if you're constantly writing and will have something new next year that ...


4

Well as far as I know that is what's referred to as a 'bass drop' (but I think that term gets thrown around for a few different effects). There are probably a bunch of ways to do it: a fretless bass can simply slide down the lowest string with some nice EQ and that's about all it takes (provided the bass is tuned low enough). The studio sound on your ...


-2

Assuming you are in stereo (JCP answers assuming you're not) because there is nothing to say you aren't, definition of some instruments will be enhanced by where in the mix you place them. Similar tonal instruments, and ones which at a particular time in the recording, are playing notes close to each other, need panning away from each other. Let's take an ...


9

Making everything audible in the mix is not always possible. Elements that share frequencies will mask each other. The most crucial part of the mix is not actually in the mixing phase itself, but in the composition, instrumentation, and arrangement phase. Experienced composers will give each element its space in the frequency spectrum, so there is little to ...


9

What you are trying to achieve is not a trivial task. If you want a good master it'll take more than some tips. I'll try to do some quick observations on some possibilities. There's nothing specific to Ableton Live, because there's nothing exclusive to Ableton Live in this subject. You want more loudness in your track. As you might know we can't just turn ...



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