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19

The key change you are describing is known as a Chromatic Mediant Relationship. This type of modulation rose to prominence in the Romantic Period and has been used by composers and musicians ever since. Chromatic Mediant Relationships are ones in which the roots or tonal centers of the keys are a non-diatonic 3rd apart. If diatonic (within the key), it ...


14

Perhaps it was EBow. It amplifies string vibrations (using magnetic fields) providing very controllable feedback effect which allows to get very smooth and sustained sound. Also check out this video on Youtube. Although it is old it demonstrates very wide range of possibilities of this device.


7

I think that the differences you mentioned have more to do with the size of the groups involved than their preference for classical or rock music. Also, I'm willing to wager that there is as much diversity in terms of goals among members of the same category (rock or classical) as there is between the two. You mentioned orchestral music, but that is only a ...


5

You can study the playing of the great "guitar-ish" keyboard soloists: Jan Hammer with Mahavishnu Orchestra on a Minimoog, Jon Lord with Deep Purple on Hammond organ, and possibly Keith Emerson and Rick Wakeman on Moogs. Jordan Rudess, with Dream Theater (on all sorts of synthesizers) deserves prominent mention as well. All of them would say in interviews ...


5

My favourite rockin' sound is a good old Fender Rhodes, overdriven so it starts to break up when you play chords or when you really dig into a note. I've played at a couple of parties with just this sound, and it does a wonderful job of "filling the room" as you say. As for playing style, I find that playing a lot of open fifths helps. I've heard guitarists ...


5

There are a few examples of screaming in Western classical music, but only as a coloristic effect; I am not aware of any compositions where it is used on a sustained basis the way it is in heavy metal. Some of these are when the music imitates styles such as blues or rock. Some examples: There are some primal screams in the first movement of Orff's ...


4

I think this is kind of a broad question, and when you say screams in rock music it's kind of a different definition to how it is used everywhere else. I think of everything from Deep Purple to Iron maiden, opeth and beyond in rock, but in everything else it can have multiple meanings. When I started searching it seemed that Bel Canto has some early ...


4

The drum kit does not feature much in Traditional Irish music. Why not sit down at your kit with headphones and play along with some of the pogues numbers or whatever songs you'd like to be able to play? There are apps and software to slow the tune down so you can figure out what the drummer is doing. But as you say, the style is mostly based on rock and ...


4

Where it's used is irrelevant. No genre demands a particular type of voice, a particular sound, etc. Well, opera demands some special usage of some muscles, but other than that you find all sorts of characters dipping into all kinds of genres. That being said, it is true that a lot of rock artists have higher tenor voices, but that doesn't mean bassier ...


3

Though this question seems quite broad, the answer here is actually simple. If you want to write music that sounds like it is from the 60's-70's (or any style / era of music,) three things will get you started: Listen to that type of music Transcribe that music Write that music You need to get it into your ears and head, figure out what makes it work ...


3

You also need to study the way that chords are voiced on the guitar, which is determined by the layout of the strings of the instrument. As an introductory example, to a rock guitarist, the basic form of the E major chord contains six notes, while the A major chord contains five notes, but the D major chord contains four notes. Here are the exact voicings of ...


3

First, let's make a distinction: When you say "bassy", are you talking about the tone of your voice, or the pitch range of your voice? Your pitch range, or voice type (bass, baritone, tenor) is not something you can change, but you can learn to expand your range. If by "bassy" you mean the tone you produce rather than the pitch range, then voice lessons ...


2

Perhaps it's about the difference between a recital and improvisation - Classical musicians tend to have learnt to read music, and sight-read from that while playing. Rock musicians tend to play from memory or by ear. So I can see an argument that Classical is more about a recital, so fall into the description you give above, and some rock is more like ...


2

Am it is until your stated 3:28 mark.Then it goes into more like E maj. Then about 4:10 ish it modulates back to Am.It doesn't have to have a lot to do with the original key.Although the new key of E is the dominant of Am.This E maj spawns the relative minor of C#m, so that's where that comes in. A song, say, in C can modulate (change key) up to C#. None of ...


2

It seems to me that the C#m chord is a flavoured substitution for the C+ (C augmented) chord that is built from A harmonic/melodic minor. The notes in C#m are as follows: C# E G# The notes in C+ are as follows: C E G# Because there is only one note difference this substitution is easily achieved. Another thing to notice is that there is a C in ...


1

There have been several PC-based virtual instruments that have attempted to enable a keyboardist to mimic the playing of a rhythm guitar by "remapping" a keyboard chord voicing (a closed-position triad) into the kinds of chord voicings used on a guitar, and then to use synthesis or sampling of guitar sounds in conjunction with programming to provide ...



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