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74

The major key is present by nature in every note that is played. Therefore, it is interpreted as normal behavior, a happy day in our lives, 'cause that's what we expect to happen. The minor key is opposed to the major key and it's perceived by us (without being aware) as if there was something wrong, hence sadness or restlessness. Further explanation: When ...


46

Do you transcribe other players' solos? I find this helps me a lot, especially when I transcribe non-guitarists' solos. The clichés and idioms on other instruments are simply different than they are on guitar, so that can help to see melody from a different perspective. Trumpets and saxophones, in particular, sit in a similar range to the guitar but have ...


45

They are not quite "universally" regarded as sad. For instance, in the Amazon jungle (particularly the part in Brazil) and some places in the Middle East, people use minor keys for happy songs of rejoicing. Basically, some experts argue it has to do with the qualities of natural speech. Here's an explanation: ...


43

This requires an excursion into musical history. Originally, instruments were made to simply play notes that sounded "right" together. Why some notes sounded right and others wrong wasn't of great concern for most of humanity's history, until Pythagoras, (yes, the guy with the theorem) noticed that it had to do with intervals, and made a music theory based ...


36

First, a key is only really a basis. You can have an F# in a piece written in C Major without having the piece "switch" keys. Second, keys are defined arbitrarily. Sure there is theory about what sounds good and that sort of thing, but at the end of the day it's just a group of notes that's just as valid as any other group of notes. This is made clear by ...


33

'Dorian mode on C' does not mean "the Dorian scale that you can find among the notes that are available in the major key of C"! 'Dorian mode on C' refers to the Dorian scale, or set of note intervals, that start on the note C, i.e. C is its root or tonic. This set of notes happens to be the same as the ones found in the Bb major key, thus two flats. This is ...


30

This is a D melodic minor scale (The root of the scale would be D since this Bach), which alters depending on if it is descending or ascending. When ascending the 6 and 7th degrees are raised, and then decending they are lowered. So when descending it is the same as a natural minor scale. These are pretty common in classic music and are often standard of ...


29

This question on math.se is quite similar to what you're asking and the answers give a lot of detail: Mathematical difference between white and black notes in a piano? What's going on here is a massively convenient mathematical coincidence: several of the powers of 2^(1/12) happen to be good approximations to ratios of small integers, and there are ...


29

To understand the answer to this question you need and understanding of these concepts: Key center Tonality Chord progressions in functional harmony Cadence A song is regarded as being in the key of C major if the pitch C is its key center, if the notes in the song chiefly fall in the C-major scale (as opposed to the C-minor scale, or one of the other ...


28

A drum solo is a song without a key.


28

J Roq, Scales are important for a guitarist, just as learning good grammar is important to speaking properly. If you are intent on "playing" guitar then learning the language of music is going to be inevitable. From my own personal and teaching standpoint, guitar music should start with Chords. As opposed to notes. To me they are the most practical form ...


28

D's central position in Wicky-Hayden layout is an artifact of the fact that Dorian mode is a symmetric scale (its descending interval pattern and ascending interval pattern are the same) in some tunings, including the twelve tone equal temperament (and it's the only such diatonic mode). Even though I'm sure this mathematical property of Dorian mode has been ...


27

It is common to use notes that are not in the scale to add color. It's called chromaticism, from the ancient Greek word for color. Think how composers use a G# instead of a G in A minor, for example as a part of an E chord. A semitone creates more tension and the tendency of G# to resolve to (go to) A is more powerful. This is called a chromatic approach ...


25

The sharps and flats are always "added" in a particular order. So, if you know how many there should be for a key, you can work out what they are. The mnemonics you refer to can help you to remember the order sharps and flats are added in. To be honest, though, I tell music pupils of mine, that learning key-signatures by using mnemonics is only partially ...


24

One option if you're primarily interested in representing the individual digits of pi is to use a representation in a base other than 10. For example pi base 12 would have an individual digital for each chromatic note. Here's a website that might help get you started: http://www.virtuescience.com/pi-in-other-bases.html


22

I wouldn't say this is universal at all. For example, many songs in the Jewish musical tradition are written in minor modes yet convey joyful emotion. And what little I understand about Indian classical music is that it's scale-based, not key-center based.


22

It really depends what type of music you want to do; and how deeply you want to understand the mechanics of music itself. If you just want to get straight into jamming a tune; learn the pentatonic scale, its about the easiest scale to learn and very versatile; something like 70% of the licks in all popular since the mid 60's is pentatonic based, and even ...


21

Interesting question, although my answer might be more historical than you'd like ;-) One answer is that it gives you all the notes of the diatonic scale on the white keys, so by transposing to C major you can play any major-key melody that doesn't modulate using only the white keys. Another way of saying this: assume that you are working in our musical ...


21

The 'sus' is short for 'suspended'. The term comes from traditional music theory, and it refers to that the chord has a note that was suspended, or 'delayed', or 'carried over', from the previous chord. Traditionally the suspended fourth note in the sus4-chord should also be resolved to the third before any further chord action. Here is an example chord ...


19

The convention generally follows that which we see for minor key signatures. There is not a 1 to 1 relationship of key signature to root, rather, the key signature is there to tell us what notes exist in the scale. Then, we use the music itself to figure out where the root is. If you were writing in D phrygian, for example, would you have two sharps in the ...


19

I think this is a common problem with guitarists, we all at some point or other run across this. Some of the things I have have learned to push past this are as follows. String skipping String skipping is a good way to mix up your scale runs, its a good idea to find a pattern you like the sound of and try moving it around, applying this to arpeggios is ...


19

Your teacher is referring to the Doctrine of Ethos which was for the Greeks, a belief that listening to a certain type of music influenced your mood or character as a person. Throughout the centuries, this belief has taken various forms - from the key of Eb used in marches for nobility, D major being joyous, C minor being introspective, D minor being "the ...


19

Music has nearly infinite potential for subtlety, and yes, drums might seem more simple on the surface, but after a few years in music school you'll be tuning drum heads every time you sit down at a snare drum, have a mallet collection that weighs 30 pounds, and enjoy discussing the relative merits of different origin rosewood on your marimba. Most people ...


18

Two points that may have not been completely answered. Why is C major the reference scale for natural tones ? The anglo-saxon notation obscures the history a little. Tradition from church music led in Italy (then shortly after France and Spain) to naming notes of the reference major scale by conventional syllables: Ut Re Mi Fa Sol La Si (this corresponds ...


17

Memorizing your scales accomplishes at least these four things: Trains your fingers to play common patterns found in music. There are a lot of scales in music. They're just so satisfying, why not write them? They can be a controlled environment for practicing other techniques, such as playing fast, playing in octaves, and playing fast in octaves. It trains ...


17

Max has been around for 20 years. Max gives you the parts to create unique sounds, stunning visuals, and engaging interactive media. These parts are called ‘objects’ – visual boxes that contain tiny programs to do something specific. Each object does something different. Some make noises, some make video effects, others just do simple calculations or ...


17

The minor scale is not called the "minor scale" because it is the most minor. Names don't have to accurately reflect the definition. Modes are sometimes classified as "minor" or "major" depending on their third (a minor third usually comes with other minor degrees like the flat 7th which is common to all minor modes of the major scale). And of all the minor ...


16

It sounds to me like you're trying to play with your arm perpendicular to the piano and/or with your wrist parallel. That works fine when you're tucking your thumb under (e.g., RH ascending) but not when going over the thumb (e.g., RH descending). This is because your thumb naturally moves sideways like this, but your fingers are more limited and mostly ...


16

A scale is any sequence of ascending (or descending) notes that can be used as an "organizing structure" for a piece of music. There are many types of scales, including diatonic (the "standard" in Western music), chromatic (containing every half note in an octave), whole-tone (containing notes a whole step apart), and pentatonic (the pentatonic formed from C ...



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