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Welcome to the wonderful world of guitar. The guitar is a very versatile and portable instrument that you can enjoy anywhere you like. As you have discovered, fretted (or non fretted) stringed instruments such as guitar, ukulele. mandolin, or even violin, are very different from a keyboard instrument. With a piano, there is only one specific key per ...


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I have a similar background, and in my experience, there simply isn't a good transition or analog from piano to guitar. Whereas a child can learn to identify every B-flat on the piano in an afternoon, it takes weeks or months of practice to know the notes on the fretboard. It's an entirely different system. I would like to suggest a few approaches / ideas I ...


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William Sethares, creator of "xenotality" and "exotonality," wrote a book called Tuning, Timbre, Spectrum, Scale. According to Dave Benson in Music: A Mathematical Offering p. 490: The basic thesis of this book is the idea, first put forward by John Pierce, that the harmonic spectrum or timbre of an instrument determines the most appropriate scales ...


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The are scale shapes. The help to memorize notes on fretboard. The every scale has multiple positions. The most popular are vertical patterns but there are others This is very popular minor pentatonic scale shape diagram It will be never so easy to play them as it was on keyboard but you will get used to it. The most beneficial thing you can do on guitar ...


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In rock music it is not uncommon for the root notes of chords to follow a scale, while the chords all are major chords (or distorted fifths, i.e. power chords which have an overtone series much like a major triad). Therefore it can be more meaningful to analyze the harmony of a rock song by considering what scale/mode the root motion implicates. Many of the ...


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C# major's relative minor key is A# Minor. These two keys both contain the same notes but a different tonic (in this case the tonic being C# and A#, accordingly) C♯(i) D♯ E♯ F♯(iv) G♯(v) A♯ B♯ A♯(i) B♯ C♯ D♯(iv) E♯(v) F♯ G♯ This doesn't really have any bearing on how you write a song in a major key, but it does help us to understand the relationship ...


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The current configuration is historically based. Early singing was based on what are now the "white keys" on the piano. Also, in early time, a Bb was added so that the F-B interval (which was considered difficult to sing in tune, compared to other intervals) could be avoided a bit. The early organization (which contemporary music theorists called modes or ...


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Anything can inspire creation of mathematical systems expressed in music. However, whether the connection is actually less tenuous than any kind of voodoo is a different question. In the manner you pose the question, I don't think that it can be answered positively with an approach reasonably called justifiable. One obvious problem here is that Fourier ...


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Something that's related to your question is the mode theory. Here's a nice article on that! It boils down to: > If you play your scale (e.g. C major [C D E F G A B]) on a set of chords with a tonal centre of C major, and you focus on the relative position of the notes towards the C in the scale, it will sound happy (Ionian) > If you play your scale ...


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As suspected by alephzero, the word "tono" (in Spanish) or "tom" (in Portuguese) refers in this context to the "church modes", i.e. the Gregorian modes of the plainchant tradition. In The Evolution of Organ Music in the 17th Century: A Study of European Styles, John R. Shannon describes Musical Flowers for keyboard instrument and harp, the chef d'ouvre of ...


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A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is: whole, whole, half, whole, whole, whole, half.where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red broken line in the figure). A major scale may be seen as two identical tetrachords separated by a ...


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Using all of the notes, but starting and finishing on Eb makes it Eb Mixolydian, and the Gb added gives it that blues feel.


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If I hear that scale, I hear the Abb as the perfect fifth G, and the Gb as a blue note. Since this scale is none of the commonly used scales, I think it is best described as "blues scale with an added b2". If you hear it differently, it may help to add the melody to your question to clarify the essence of that scale. EDIT: Judging from the chord progression ...



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