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There is a difference between "conventional musical terms that were originally Italian" and "the Italian language". A common example is "con sordino" with a mute or "sordini" (plural) - the "correct" Italian is sordina/sordine, but most musicians either don't know or don't care whether their mutes are grammatically masculine or feminine. Another is "D.S. ...


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The architecture of Sonata Form is Theme 1 (in the tonic key), Theme 2 (in a contrasting key), Development (mess around freely with themes A and B), Theme A (tonic key), Theme 2 (modified to be also in the tonic key. There may also be an introduction, for which the technical name is "Introduction" :-) And maybe a tailpiece, wrapping up the whole piece, for ...



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