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This could be an instance of portato. Via wikipedia: Portato (Italian, past participle of portare, "to carry") in music denotes a smooth, pulsing articulation and is often notated by adding dots under slur markings. Portato, also known as articulated legato or slurred staccato or semi-staccato or mezzo-staccato, that means "moderately detached"...


Well, it's like a slow tremolo so you definitely want to alternate fingers. Thumb - Middle - Thumb - Middle is a good general-purpose tremolo fingering. To do this easily, you should pull your thumb a little under the palm, almost touching the middle finger. The wrist should be straight but not rigid. You descend upon the keyboard, leading with the thumb. ...


There is a difference between "on the string" staccato and "off the string" staccato with a host of subtle variations (such as spiccato, slurred-staccato, martele, and many others.) The type of staccato you use depends on the context and the sound that either your or someone else is looking for. I would consult a bass player for the correct way to perform ...


Staccato is stem specific rather than head specific. Thus one dot will suffice. The other way would be to make the note actually exactly as long (short!) as you want, then put the appropriate rest. Staccato itself, to me, is a bit vague, and can be interpreted in subtly different ways, as far as note length - brevity - is concerned.


It must be a shorthand way of writing what's in the previous bar: instead of writing all three triplets out, he's written one, with the '3' over it, saying it gets played thrice. As each chord needs to be staccato, he's put three dots over it, to signify each staccato.


Yes. The slur just indicates that the note should touch the preceding note, but it's still played on time and ended according to the staccato dot. Basically, a slur does not change the last note it reaches but only the notes before it.


As Laurence Payne's comment says, you've encountered one form of musical shorthand. There are a few layers of shorthand here so I'll break it down for you. Stripping the first of the first measure of the second line of any shorthand markings, we have just a dotted eighth note. Now we'll look at that slashy mark across the stem. It just means to subdivide ...


It's a red herring! It's not a tie, and they're not staccato, per se. It's a separate sign called 'portato',or more accurately and easily understood 'articulated legato', and if it was applied to notes that were not the same, obviously it couldn't be a tie. A slur it would be. Now, you can see that two slurred notes separated because they need to be ...


You should play this passage portato, as if each of the note were marked with a tenuto. I.e., you should detach each note, but play them to their full length.


I'll be honest: I'm not a double bass player. However, from my observation of those who are, I can say that lifting the bow seems to be 'the done thing'. A quick Google of 'double bass staccato' gave me this: I trust that will be of more use to you.


This is an articulation symbol called semi-staccato. It is meant to be performed exactly as its name implies; halfway between smoothly connected and detached, with only a slight disconnect between the notes. For any wind instrument, the semi-staccato notes in bars 2-3 would be performed with a very gentled tonguing on the notes indicated, such as using a "...


I concur with @slim regarding this being a phrase marking, and not a slur or legato mark. I think the reason for it being there at all is to indicate that the two groups of three notes (F, A, D) are not to be phrased as such - rather, the semiquavers are to be phrased together in such a way as to stand apart from the D that follows. Without the phrase ...


It seems to me that a pair of notes cannot be both legato and staccato at the same time. The only explanation that makes sense to me is that these are not slurs but phrase marks. Per Wikipedia: The slur is not to be confused with two other similar musical symbols. The tie is a curved line that links two notes of the same pitch to show that their ...


It is possible to play both legato and staccato at the same time. Legato means "tied together", and as Widor says you want these notes to be "phrased together"; those concepts are obviously closely related and, depending on the interpretation, may be considered one and the same. I'd disagree with Wikipedia — legato doesn't strictly mean that the ...

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