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15

That's called a 'stinger'. It's an idiomatic thing to do in traditional march writing, and it usually completes the last musical phrase. Some conductors will play with time right between the penultimate note and the stinger as a last little bit of tension and release--a quasi-allargando of sorts. (In effect, playing with the audience, as they are all ...


14

"First it's G major, and then down to E minor, and then straight to B major(?) then back to A minor and to G major again." No. As Tim pointed out, this piece is firmly in E minor. The key signature is the first hint - one sharp indicates either G major or E minor. The fact that the piece starts with an Eminor chord is the second clue. (The upbeat starts ...


13

Couple of ideas... Harmony: Baroque music was the period when harmonic progression (instead of just counter point) started to become a fundamental part of composition (See Functional Tonality). Dissonance is resolved to consonance throughout a phase. Minimalism tends to focus more on a stable harmony, but in both case the Harmony tends to be a very ...


12

"Folk music" is not a genre. "Folk music" is many hundreds of different genres. There are three broad categories of music, "classical", "folk", and "commercial". Folk music is simply whatever music that is made by people as a part of their culture, casually, and with no real expectation of earning money from it. Folk music depends upon the culture from ...


11

The short answer is yes (and I have occasionally written such music myself). Musical styles never really die, they just fall out of general fashion. It should be noted that there are a couple categories of music that might be considered in an answer. First off, and perhaps least authentic, are what might be termed "fusion" styles -- mixtures of baroque (or ...


10

Jazz and classical music have different traditions and points of focus. In classical music the distinction between composer (or creator of music) and performer is highly divided - only in specific instances is the performer allowed to improvise (in the historical practice of music from the Renaissance, Baroque, classical piano concertos by Mozart and ...


9

I've had a go writing some nautical-sounding music for games before. Andrew's answer about using Dorian is helpful - here's a few other tips I have. For a piratey sound, accordions work well. They're characterised by a stride bass pattern (bass note on beats 1 and 3, chord on 2 and 4) the folk-style melodies are heavily swung, lots of dotted notes. ...


8

"All music is folk music. I ain't never heard a horse sing a song." -- Louis Armstrong First off, let's narrow things down a bit here. It sounds like you're talking about American folk music rather than folk music as a whole. Other folk musics would take a book to explain. American folk music has the following characteristics: Acoustic ...


8

Is it possible to create a completely new genre of music This question might appear really weird, but still I ended up asking. Its not weird at all. Many composers throughout history have asked this very question. I will give a tentative "yes" to this portion of the question, with the clarification that by genre we are referring to the stylistic ...


6

Jazz is a collective, public and free art. You can train yourself alone, in private, up to a certain point, but a jazz pianist is someone who plays piano with other musicians (sometimes they are only there through their musical legacy): the improvisation component is the important point, not the themes or they origin. In fact jazz artists use any theme from ...


6

The style of pop music changes over time, for example, Pop music of the 50s would be called rock'n'roll now. Wikipedia has this to say on what usually constitutes a pop song at the current time: Such include generally short-to-medium length songs, written in a basic format (often the verse-chorus structure), as well as the common employment of repeated ...


5

One of the three links was broken, but the lower two still work. They both remind me of the X Files. What you've got harmonically in all three is: The strong presence of a simple, 1,3,5 minor triad. This is a very clean sound so in a way it is elementary and childlike, but also eerie and suspenseful due to it being minor, kind of like the little kid ...


5

Psychotropic means mind-altering. The most common use of the word is in psychotropic drugs -- that is drugs which alter mood, perception, consciousness and behaviour. Psychotropic Music is a term used by some people to describe music which they believe alters mood, perception, consciousness and behaviour in a similar way to such drugs. It's likely that ...


5

The first thing that comes to mind is the mode or scale. A "generic" tune in those genres may often be in the Dorian mode (not the Greek version), either original or in transposition. Notably, the mode has the feel of a minor scale but without the leading tone (and with a raised sixth scale degree, when that note should arise). So, the typical dominant to ...


5

Pop = "popular". The kind of music that is popular varies over time with trends and fashion, and is an earlier version of what we now term "viral" : things gaining ground because they have gained ground. It's a bit like the stock market : why does a share price go up? Because maybe some event triggered a blip. Perhaps a minor one. Then people realise it's ...


5

The best answers to questions like these are economic in nature, and not confined to any particular musical definitions, because "pop" is always evolving and changing. At any given point in time, in any given location or culture, "pop" music is the newest emerging style of music that is being commercialized, marketed and sold on a large scale. What you ...


4

The drum kit does not feature much in Traditional Irish music. Why not sit down at your kit with headphones and play along with some of the pogues numbers or whatever songs you'd like to be able to play? There are apps and software to slow the tune down so you can figure out what the drummer is doing. But as you say, the style is mostly based on rock and ...


4

The quickest solution would be to find as many different recordings of this piece that you can find, to listen to the cadenzas that different performers play, and to construct a written cadenza that feels similar in style. That is always what I have done as a solo singer. Try to find recordings that say that they were made "on period instruments" or "in ...


4

Well, for one, there are many more cultures in Russia than just Russians. If it's Siberian you're looking for, then search for that. And other regions nearby. There's also some musical overlap between Siberian, Mongolian, and Tuvan folk styles. "Peoples of Russia" is a good search term for general ethnographic information. There have been several books with ...


4

A key signature to That 80's sound are drone chords. Many popular songs had phrases in which the right hand of the synth/keyboard would play different chords over the top of a bass note that would not change or vice versa. Eye of the tiger during the verses would be an example. Separate Ways during the verses would be another example. In pop music the Linn ...


4

The gated snare sound - putting a bunch of reverb on a snare and then gating it to clip - is very 80s. It's that big snare sound the hair metal bands used. Allegedly discovered on a Phil Collins session with the snare coming back through the headphone send. Also, as mentioned, the rock and roll rhythm stiffened up either by drum machines or a drummer ...


4

I taught a popular musicology class for the last couple of quarters at UCSB last year. It's definitely a gray area, defined more by social convention than by anything musical. We had what I thought was a solid working definition though. Popular music is: Mass produced and disseminated - records get pressed, mp3s get posted on bandcamp, the public gets ...


4

1). Whenever a composer makes use of counterpoint within the context of a tonal chord progression, or writes a fugue, the composer is more or less going straight back to the compositional technique of the Baroque composers such as J. S. Bach, G. F. Handel, or Telemann. So there are quite a few examples of these compositional techniques in 20th and 21st ...


4

Something that I think is really underrated is simply listening. If you listen closely, and its something you really love, you'll definitely pick up some of their licks and other ideas to add into your playing. But I'm assuming if you want to get their style, you're already doing that. So, maybe be patient with it. Another thing that I was always told to ...


4

I did some research on this and found some very strong indicators that the string is indeed pressed against the fingerboard. The most convincing point is offered in this book on composing for japanese instruments. The chapter on the Kokyu starts at p.112 and likens many techniqual aspects of playing to the Shamisen, where the strings do indeed touch the ...


3

I believe the style you're looking for is known as Minimalism. It was a style conceived in the late 20th century by composers such as Philip Glass, Steve Reich, Terry Riley, and others. The underlying philosophy is "less is more." The typical pattern in minimalist music is to construct simple motifs and repeat them (similar to Alberti or ostinato patterns ...


3

Ragtime and Jazz percussion are similar - they do have their differences though. To focus on developing your ragtime skills, master press roll/rim/woodblock rhythm patterns (less of a swing feel than jazz) and use small splash cymbal patterns for keeping time. Press Roll: 4 beats with the right hand, on beats 2 and 4 do a press roll with the left hand. A ...


3

Cadenzas often have a slightly different musical style than the works they are based on -- for example, Joachim's standard cadenzas for the Mozart violin concerti -- but are not usually way off. For example, I wouldn't expect a cadenza in a Mozart horn concerto to include a bunch of pedal notes or lip glissandi or other techniques that were not commonly ...


3

When the key sig. is one sharp, the key will be Gmaj., or its relative minor Em.Here, he's using mainly Emin. with the melodic preferred, as in notes 6 and 7 raised for an upward direction of tune, and left natural when the tune descends. It was the usual way in the Baroque period. If one is in G/Em, then one will use D, C, Am and B (or Bm) for the harmony. ...



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