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28

They are not always the same. There can be differences in the harmonic content, in the wave shape, even if they are unnoticeable to the ear (or most ears). There are many different ways to generate the basic waveforms electronically, so in analog synths the actual waveform will depend on the design and implementation. I've also found that analog ...


16

Technically speaking two notes with the same pitch have the same frequency as the fundamental. However this does not explain why two notes of the same frequency also called unisons, sound different on strings of different diameters or lengths or both. The guitar and the entire orchestra string family as you may know have numerous unisons (unlike the piano). ...


12

There's got to be a name to the discipline, some kind of resource, some formalized, real thing around that particular science of music... right? You are looking for sound synthesis and sound design. I'll present you some popular resources. Synth Secrets One of the most popular resources (if not the most popular) is Gordon Reid's Synth Secrets series. ...


11

In a monophonic MIDI to CV module it would just send one note through. It is called note priority, and the implementation depends on the MIDI to CV module. Some modules will let you switch between note priority modes (like this one), some implement one in particular. Some modes are: Low note priority: The lowest note (lowest MIDI value, lowest ...


10

Without a picture, we can just guess, and my guess is that it is referring to a triplet. Something like this for instance: Τhe eighth triplets (second group,second bar) are 3 eighth notes that are being played in one beat; the quarter triplets (first group,second bar) are 3 quarter notes that are being played on two beats etc.


6

To me it sounds like a bass guitar with distortion or a fuzz effect. Also since it's a rock band with a bassist it might not be a synth part. Edit: Looking at live videos, it seems he does use a synth [at least in the live version], but I still think you can replicate this with a bass guitar + distortion/fuzz Most of the fuzz pedals I have used with bass ...


6

I can't comment on why the committee decided on those particular sounds as I wasn't there, but I will say that gunshot sound effects are very common in musicals, and until recently it was common for any kind of timing sensitive sound effect to be in a synthesizer book. Now we have laptops and software like QLab so it's more practical for it to be fired from ...


6

According to the MMA, Roland was one of the early proponents of GM and proposed that the GM Sound Set include sound effects for use with games, as was the case with their CM32L sound module.


6

All else being equal, a thicker string will damp out transverse vibrations more rapidly because it experiences more drag (inter-molecular deformation) per unit length. (See section 4.6 of [not my work] http://www.people.fas.harvard.edu/~djmorin/waves/transverse.pdf.) (If we consider strings made of different materials or under different tensions, this rule ...


6

A synth is a machine that generates (synthesizes) sounds. There are many different types: old-school 80's style FM synthesizers, even more old-school modular synths like Moogs, software synthesizers that run on a computer, etc. Although some have a keyboard, that is not part of a synthesizer per se, that's just the controller. A controller is a thing that ...


6

If you are playing an organ sound, you might want a keyboard that can feel and respond like an organ, rather than a piano It's possible to make a very shallow non-weighted action, which is helpful for some techniques (I like it better for triggering percussive sounds, for example) It's cheaper to make, so instruments are cheaper. The instrument is ...


5

Try Pianoteq Stage for Mac or Windows. It is exactly what you want. It costs €99 or US $129. Using a physical-modeling synthesizer, not samples, it really sounds like a grand piano -- in fact, you can choose between several different kinds of grand pianos. You can download a free trial version. If you buy the more expensive Pianoteq Standard or Pianoteq ...


5

The first thing I'd do is find a loop station. This will allow you to record various parts, and layer them, using all the various new sounds available from your synth. Most have rudimentary drum tracks if you need them, and if you mess up with the next layer of sound, you can delete it without losing anything else. Another option is to use some of the ...


5

MIDI is not sound. The MIDI specification does not dictate what any instrument sounds like, it's up to the synthesizer to generate the sound. Free synths sound like crap, but good ones can sound as good as the creators can make them. For example, the Pirates of the Caribbean soundtrack is entirely synthesized, yet most people don't even realize it.


5

Automation is a feature available in most digital audio workstations and many types of similar audio production software. Automation allows a parameter like volume, pan, or mute to be changed automatically during playback of a song by the software. In the early years of multi-track mixing, engineers had to manually move faders, and turn knobs while ...


4

You know what to play by listening. Some numbers will already be busy, backing-wise, so not much may be needed. There's a time to play a 'wash' over some, as in a gentle chord palette on a strings type sound under everything else. You may, in a more punchy number, match the bass line with a synth sound, to beef things up.Listen to how brass stabs work in a ...


4

I recommend you to learn synthesis through a graphical patch-based synthesis environment. This makes very explicit and clear how everything works and is connected (literally). The most popular are Reaktor, Max, and Pure Data. Pure Data is free, so grab it and see if you are into it. While learning it you'll be learning synthesis at a very deep level. It's a ...


4

Having just done an acid test, for me, trills using a proper piano action are easier to execute than doing them on an 'organ' type 'board. This may be because I play a lot more on pianos than keyboards, though. The bounce back seems to help the control. Having said that, there are lots of trill type bits in Bach's organ works, so it is quite possible to do ...


3

The MIDI Manufacturer's Association released the General MIDI Specification for hardware sample players and sample-based keyboard synthesizers in 1991. Read about it at the Wikipedia article, which includes reference links to the actual published specifications. I do not think there is a definitive answer to your question. I believe the industry committee ...


3

Scotland the Brave is relatively simple, but if you find it tricky to play both hands, starting with simpler music is a good idea. Generally you would start with single hand practice, left and right, learning simple scales individually, then together, and working up to more complex figures. Once you have note placement, chords can come later. This is best ...


3

I don't know if this will help you or not, but I've recently watched a set of videos on youtube that talks about how to develop a simple piano style for "comping" (playing accompaniment chords, with no melody). It starts out pretty simple, but he's got a ton of other videos with more advanced techniques. You might find something of interest in there, given ...


3

Yes you can control any synth with a MIDI input with your electronic piano. Don't worry about the range, the range of a synth (128 notes at the very least) is bigger than the keys in your keyboard (88 keys in the bigger ones). If you want cheap 10 note polyphony, the cheapest option I can think of is the Novation MiniNova. In good quality synths you'll ...


3

Since Max Matthews pioneering piece Daisy, singing synthesis has been informed by research in speech synthesis and phonetics. A voice may be modeled as an excitation (the glottis) filtered by a resonant cavity, which can be done by analysing recorded vocal sounds with linear predictive coding and then regenerating the sound with independent control of pitch ...


3

Should the performer then care to tune all 16 boxes identically or I am just missing some piece of knowledge? Yes! A big PITA and hence a darn good reason why polyphonic, microprocessor controlled synths like the Prophet 5 (oooh 5 voices!) in the late 70's were developed. For instance, if I press C and E on MIDI keybord connected to the synthesizer ...


3

What I've found is that the acoustic piano is the most expressive when played softly. We all like loud, but anything can be loud and the ear will tune loud OUT after a while. But it pays attention when things get quiet. And that's where weighted keys really help - on a digital too. If you don't have that weight, you'll get a more frequent oops-BANG ...


3

MIDI is only a specification for what instrument (patch) to use, what notes to play, how long and loud to play a note and other things like tempo, time signature and text lyrics. The concept is very similar to how an old player piano works. The midi data is like the piano roll, the sound you hear is from the physical sound produced when the hammers strike ...


3

MIDI is just a stream of instructions, like: "Tell channel 1 to turn on note 60" "Tell channel 2 to turn off note 72" "Tell channel 3 to set parameter 1 to value 231" There is a set of conventions such as: Channel 1 is piano, 34 is electric bass, etc. Parameter 1 is modulation, 7 is volume, 64 is sustain, etc. This is called General MIDI (Wikipedia). ...


2

The answers suggesting "Midi sequencer" are just wrong. A sequencer is for recording and replaying Midi signals but does not turn them into audio. In a similar vein, DAW or "Digital Audio Workstation" is wrong. While the scope of a DAW is ill-defined and may well come with a Midi softsynth, this is by no means a required component. Indeed, DAW is not ...


2

Wheat's answer (Pianoteq) is certainly the best in terms of a high-quality commercial solution. I've known people to tweak parameters in that (seemingly endlessly!) to get exactly the piano sound they want. As an alternative, I tend to worry less about quality, and just use free soundfonts, which are sample-based. I have several, but the only one whose name ...


2

The other two answers are true however it seems your question is about sounding a unison as opposed to replicating one sound on a different string, even though you pointed out string thickness as a possible reason for the sound you are noticing. What happens when a string vibrates is that it actually stretches from side to side or up and down depending on ...



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