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14

The synth patches that you want will exist if you build them yourself. :) You might consider studying some of the older musicians such as Keith Emerson and Rick Wakeman. At that time, people usually rolled their own sounds, building them from the basic four waveforms. Also, you might read up on "additive synthesis" which has to do with the theory behind ...


13

Technically speaking two notes with the same pitch have the same frequency as the fundamental. However this does not explain why two notes of the same frequency also called unisons, sound different on strings of different diameters or lengths or both. The guitar and the entire orchestra string family as you may know have numerous unisons (unlike the piano). ...


10

A few ideas: The most difficult but most flexible approach would be to continue playing with the synth programming until the synth sounds in tune on more notes, or program more synths to have similar sounds on different notes. Use pedal point. A bassline using pedal point constantly plays the same note, regardless of the changes in harmony. Done well, ...


8

Seems that you are new to the whole synthesis thing and you are looking for specific sounds found in other songs, so I recommend you to start with a software synthesizer that has a big and good library and macro support/dynamics. The library will let you choose from an array of well-organized pre-programmed sounds, and the macros will let you tweak those ...


7

There are analogue and digital synthesizers. The digital ones you'll likely be able to emulate faithfully through a computer, but opinions differ when it comes to analogue. There are both digital synthesizers and programs that try to emulate them, but many feel that it is not like the "real deal". There is also a big difference manipulating real keys and ...


6

I think subtle expression possibilities is the key. Piano, electric piano and organs have a large and very finely controllable dynamic sound range1 (either by true continuous 𝆑𝆓𝆏 spectrum right "at the fingertips", or lots of of possible organ stop/drawbar combinations), so you can always counteract where it might get tiresome, without however necessarily ...


6

I can't comment on why the committee decided on those particular sounds as I wasn't there, but I will say that gunshot sound effects are very common in musicals, and until recently it was common for any kind of timing sensitive sound effect to be in a synthesizer book. Now we have laptops and software like QLab so it's more practical for it to be fired from ...


6

To me it sounds like a bass guitar with distortion or a fuzz effect. Also since it's a rock band with a bassist it might not be a synth part. Edit: Looking at live videos, it seems he does use a synth [at least in the live version], but I still think you can replicate this with a bass guitar + distortion/fuzz Most of the fuzz pedals I have used with bass ...


5

The first thing I'd do is find a loop station. This will allow you to record various parts, and layer them, using all the various new sounds available from your synth. Most have rudimentary drum tracks if you need them, and if you mess up with the next layer of sound, you can delete it without losing anything else. Another option is to use some of the ...


5

It is not a matter of quality. You can get great sounds from a computer and many albums have been made on nothing but a laptop or even an iPad or GameBoy. Quality is not the concern. There are good reasons for wanting hardware synths, though, even digital ones. They start up instantly and generally never crash. They have many knobs and controllers for ...


5

The composer Gershon Kingsley is still alive in the U.S.A. where he composed this song. If you manage to have him die within this year, the copyright will lapse in 2104 according to current rules if I am not mistaken. However, the lobbying of Disney Corp. has been effective in keeping Walt Disney's work out of the Public Domain by retroactive copyright ...


5

All else being equal, a thicker string will damp out transverse vibrations more rapidly because it experiences more drag (inter-molecular deformation) per unit length. (See section 4.6 of [not my work] http://www.people.fas.harvard.edu/~djmorin/waves/transverse.pdf.) (If we consider strings made of different materials or under different tensions, this rule ...


4

I believe that you are looking for a software synthesizer, aka soft synth software that receives MIDI data and outputs audio data. You may also need to consider the midi usb software driver software the software that allows one to send/recieve MIDI data across the USB interface and allow it to get to the synthesizers. In hardware this type of thing may be ...


4

A synth is a machine that generates (synthesizes) sounds. There are many different types: old-school 80's style FM synthesizers, even more old-school modular synths like Moogs, software synthesizers that run on a computer, etc. Although some have a keyboard, that is not part of a synthesizer per se, that's just the controller. A controller is a thing that ...


4

Try Pianoteq Stage for Mac or Windows. It is exactly what you want. It costs €99 or US $129. Using a physical-modeling synthesizer, not samples, it really sounds like a grand piano -- in fact, you can choose between several different kinds of grand pianos. You can download a free trial version. If you buy the more expensive Pianoteq Standard or Pianoteq ...


4

I have the EWI USB. As mentioned by Meaningful Username, it doesn't have any in-board sounds, so I can't play it stand-alone -- it has to be plugged in to a computer. While it does come with its own softsynth program (based on Garritan's Aria Player), and a decent set of samples, it can also be used as a generic MIDI controller, which is what I usually do. I ...


4

The General MIDI sound set was influenced by what was implemented by existing sound modules. Since musicians were expected to program their synthesizers anyway, the application where standardization of a sound set would make the most sense was games. At that time, the most widely used device was the Roland MT-32 or its compatible modules. The original MT-32 ...


3

Although EWIs are MIDI controllers, capable of controlling any MIDI devices, some also have built in sounds and headphone sockets. @Meaningful Username has been more diligent than me and checked out your links (!) - he says the middle one has built in sounds. Therefore, with this, you should be able to get started with just the instrument and headphones. ...


3

You're probably right. Even the most wonderful non-piano/organ synth patch would be too much if used for an entire concert (as would panpipes though). Many advanced synth performers will often tweak the patch as they play, equipment permitting. Sound wise, most synth sounds are going to emulate instruments that are either struck, plucked, bowed or blown, ...


3

if you want to record and do professional stuffs you go for : DAW (digital audio workstation) , music sequencer or midi sequencer. if you want just play your instrument easily without recording and good sound quality you need to go for : standalone VST (or VSTi) , for example "standalone piano vst". also you can use these VSTs as a plugin in your DAW or ...


3

Not sure what kind of sound the module should produce, but Ketron produces some fairly portable ones. Actually, have a look at this question, has many more examples.


3

Things you definitely need : P.A. system - which should incorporate the mixer, eq. and probably reverb. Drum machine. Synthesiser/ keyboard. Mic. Looper with maybe 4 or 5 pedals, to produce differing mixes. This gives the things you maybe don't need : Compressors. Exciters. Pitch shifter, etc. With a decent looper, you can create your own loops and save ...


3

Firstly, big appreciation for making your own sounds from scratch. It will lead into a personal style of music and a better understanding of the anatomy of sound. The fact that layering makes the song "a big mess of sounds" tells me that you're not aware of mixing and equalizing the synths. I'd see the layer of sounds as a scale: if you add a sound, in ...


3

Yes you can control any synth with a MIDI input with your electronic piano. Don't worry about the range, the range of a synth (128 notes at the very least) is bigger than the keys in your keyboard (88 keys in the bigger ones). If you want cheap 10 note polyphony, the cheapest option I can think of is the Novation MiniNova. In good quality synths you'll ...


3

Based on your question I'd recommend a keyboard controller and a midi-connected laptop. You can choose the key action you prefer and you can achieve many different sounds via software. Regarding keyboard action; I'm more concerned with good dynamic detection and snap-back but you may be most interested in key weight. I've played a lot of piano but piano ...


3

You know what to play by listening. Some numbers will already be busy, backing-wise, so not much may be needed. There's a time to play a 'wash' over some, as in a gentle chord palette on a strings type sound under everything else. You may, in a more punchy number, match the bass line with a synth sound, to beef things up.Listen to how brass stabs work in a ...


3

The MIDI Manufacturer's Association released the General MIDI Specification for hardware sample players and sample-based keyboard synthesizers in 1991. Read about it at the Wikipedia article, which includes reference links to the actual published specifications. I do not think there is a definitive answer to your question. I believe the industry committee ...


3

Scotland the Brave is relatively simple, but if you find it tricky to play both hands, starting with simpler music is a good idea. Generally you would start with single hand practice, left and right, learning simple scales individually, then together, and working up to more complex figures. Once you have note placement, chords can come later. This is best ...


2

There are some examples of what you're asking. Patches made for the Yamaha DX7 synth can be imported in some software synths (Native Instruments FM8 for example) and some hardware synths (Korg Kronos). The Kurzweil PC3K workstation can import patches from the Kurzweil K-series synths from the last two decades. The rompler engine of the Roland ...


2

What you're looking for is a software instrument, also known as a virtual instrument or software synthesizer or softsynth. It takes midi input from your keyboard, and generates audio data, either using pre-recorded sounds (in which case it would be a sampler) or generating sound on-the spot (a non-sample-based synthesizer). Although some software ...



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