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I am unsure of anything that systematically analyzes orchestration. I've worked with the Adler, the Berlioz, and the Rimsky-Korsakov. This is quite a broad question because indeed orchestration is extremely subjective. You can find more systematic approaches in spectralism, for example. It is interesting because often orchestration is judged objectively. I.e....


2

It's not always easy to tell, but here we are definitely talking about a tie. How to distinguish? A tie is sole functional and can only connect equal pitches (there is the tricky exception of a tie connecting enharmonically equivalent notes in a modulation but the execution would be to hold the note without noticeable intonation correction). Does that ...


2

Yes, it's a tie. You have to play the C once and hold it for 6 quarters. To tell the difference, keep in mind that slurs are used between different notes and ties are used between the same notes. For instance:



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