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8

I would say that the specific name is "experimental." My feeling is that it comes from the school of thought that attempts to turn the back on musical tradition and come up with something new. There's a certain arrogance to it in my opinion (famously, Schönberg said upon coming up with his rather superficial tone-row concept that he had assured the ...


6

I think the author of that Wikipedia page has rather misinterpreted Nancarrow's title page for the Study (linked on Roland Bouman's comment to the question). (1/√π)/√⅔ refers to a tempo ratio between two voices, not a time signature. Nancarrow was rather obsessed with canons. The canon is a form where multiple voices each play the same music at some time ...


4

Let's take a simple music sheet: As you can see, the time signature is given, and it's 4/4. That means every measure has 4 beats of quarters. I assume you know about the duration of the notes. Every measure/bar in the music sheet is defined by the vertical lines you can see in the image above. Between every two vertical lines, you must have notes whose ...


4

I think I know what you're getting at. First, a "musical passage" is just any group of notes that are organized into a single idea. It doesn't have anything to do with being on the beat or not. However... If you've lost the beat, you can stop playing, get back onto the beat, and start back in again while everyone snickers at you. Or, you can play a ...


4

Wow, what a great question! Sorry, I don't know of a specific name for this kind of time signature. Judging whether this is a useful time signature is almost a philosophical question. If the main function of a time signature is to provide performance information to the performer, then no, this isn't very useful. But, a time signature can also be used to ...


3

This is either compositional wanking or a composer having a joke at literalists' expense. Since any metronome (or human) can only approximate any time period to some precision, the beat will always be a rational part of a second. For that matter, the repeatability of the beat will only be exact to some rational limit. So claiming you want the beat to be, ...


3

Instead of trying to cover up timing errors with extra notes, you may be better off stopping, listening, and re-starting. In those extra notes, you're just as likely to get out of time again. 4/4, 3/4, 6/8 will all come down, in the end, to being capable of providing this 'passage', but it's like a pill to cover up the symptoms - it doesn't solve the problem ...


2

When you say, "if I'm given a song", I assume you do NOT mean that you have sheet music. Is someone humming? Are you hearing a song on the radio? You can usually find the measures and the time signature by listening carefully for the 1-beats. The 1-beats are the beginnings of musical phrases within the structure of a song. For example, if you're ...


2

From your question, it seems you are totally confused about what to make, what instruments to use. I assume you are using virtual instruments for scratches, synths, bass and all other things. I will tell you an alternate (reverse) method for making a song. Some people use it, but I won't recommend you using it forever. Now you have a tune in mind, put some ...



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