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2

Most melodies - in any style - can be transcribed using: 1) pitches, 2) rhythms, 3) motives, 4) phrases, 5) overall form. Unfortunately, in the videos you cited, the musician does not play the rhythms consistently each time the example is played. Therefore, I based my transcription on the overall performance of the second video (the one where the keyboard ...


0

When transcribing, it's easier to understand WHAT'S happening, after a muso has actually produced something. When looking at the theory behind it, this will explain WHY and HOW it works. As said previously, you need both to make your playing a success. Merely doing the first, you will be able to play copycat phrases all day long, without actually knowing ...


4

Consider an analogy with literature. You can become an author by reading good books, or by studying language and grammar. In reality, you will want some of both. Each is valuable, but in different ways. The latter provides understanding and insight into the first. Music theory is sort of the grammar behind music, and the extent to which it helps you will ...


1

The two go hand in hand. As you transcribe, you'll see that certain patterns apply (like the ii V I turn-around). IMO, you don't need as much theory as you think... I was focused on learning modes and chord substitution but have gotten much more from transcribing and practicing the language. But like you said, transcribing is more important.. you can ...


1

Put the name of the composer (perhaps in a smaller font or in parenthesis) under the name of the song. Maybe right justified so as not to dominate.


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They're disabled, because they refer to separate programs which weren't installed: PhotoScore & AudioScore. Install these programs, so they can be recognised and launched by Sibelius in order to edit the imported data.



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