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1

Definitely. There are lots of people who play all of the woodwinds (maybe not bassoon) very well; modern musicals almost exclusively call for this kind of doubling. In fact, it's kind of unusual to find professional saxophonists or clarinetists that aren't at least competent at the other, though admittedly those instruments are remarkably similar. And ...


3

Absolutely. JB Arban once said that people have the wrong idea about embouchure - that it's a fixed thing like a statue. He said that embouchure is fluid - you need to do what's right and what sounds good. I am not surprised that you have difficulties with flute after trombone; remember how each instrument works: The flute is like a fickle bottle - you ...


2

Be guided by their teachers. They should be well aware of the way the children work, learn and play. And aware of the 'limitations' of each board grade. It could even be down to the pieces currently available for playing at the exams.



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