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seen Apr 15 at 19:38

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comment What are the objective differences between the guitar and the piano?
Good points. I'm intrigued by what you said about dissonant voicings on the piano. Can you elaborate a bit?
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Nov
18
revised How to dramatically change the feeling of a song while keeping the melody largely the same?
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Nov
18
comment How to dramatically change the feeling of a song while keeping the melody largely the same?
Thank you for the Mozart example. It's nice to listen to all those variations. However, I would consider the melody in the 8th variation a different (but related) melody from the original. Or perhaps my understanding of "melody" is different from the correct one.
Nov
18
comment How to dramatically change the feeling of a song while keeping the melody largely the same?
Yea... I understand that there isn't a single set of rules to make these kind of change, but I'm looking for some of the more common ones that I can use to make the change without spending too much time. Thank you for your great answer.
Nov
18
revised How to dramatically change the feeling of a song while keeping the melody largely the same?
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Nov
18
revised How to dramatically change the feeling of a song while keeping the melody largely the same?
added 191 characters in body
Nov
18
asked How to dramatically change the feeling of a song while keeping the melody largely the same?
Oct
18
comment When singing, how to avoid being distracted by vocal harmony or other vocal lines?
@neilfein Thank you for the link. Using their terminology, I think I have a rather weak aural image which can be easily overridden by external stimulus...
Oct
18
revised When singing, how to avoid being distracted by vocal harmony or other vocal lines?
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