7,409 reputation
21756
bio website code.google.com/p/xpost
location St. Louis, MO
age 36
visits member for 3 years
seen 1 hour ago

FIRST and above all, an explanation must do justice to the thing that is to be explained, must not devaluate it, interpret it away, belittle it, or garble it, in order to make it easier to understand. The question is not "At what view of the phenomenon must we arrive in order to explain it in accordance with one or another philosophy?" but precisely the reverse: "What philosophy is requisite if we are to live up to the subject, be on a level with it?" The question is not how the phenomenon must be turned, twisted, narrowed, crippled so as to be explicable, at all costs, upon principles that we have once and for all resolved not to go beyond. The question is: "To what point must we enlarge our thought so that it shall be in proportion to the phenomenon..."

Schelling, Philosophie der Mythologie. qtd. in V. Zuckerkandl, Sound and Symbol.

"Heartache" is a poeticism, but here it becomes an actual fact because his pride would not let him suffer the pain in his soul. The "lump in the throat," the so-called globus hystericus, comes, as everyone knows, from swallowed tears. His consciousness had simply withdrawn from contents that were too painful to him, and these, left to themselves, could reach consciousness only indirectly, as symptoms. All this was a rationally understandable and perfectly intelligible process, which could just as well have passed off consciously, had it not been for his masculine pride.

The Portable Jung, p.31

The conviction of ignorance is a necessary first step to the acquisition of knowledge, for no one is going to seek knowledge on any subject if he is under the delusion that he already possesses it.

W.K.C. Guthrie. The Greek Philosophers from Thales to Aristotle.

... practically all the religions we know might be defined as state-specific technologies, operated in the service of a priori belief systems.

Charles T. Tart

What's your name?
You must have a name.
Of course.
I'm not just anybody.
Right.
What's so hard?
Just a name!
If you want,
spell it backwards.
What's your name?
Raven.
You must feel better already.
Spelled like the bird?
Yes, Raven.
- First name?
- Ralph.
What did you say?
Nothing.
Keep writing.
Refugee... victim
of robbers and horse thieves...
beginner... sensitive... destitute...
specialist and layman
all in one, you might say.
One thing at a time, Mr. Raven.
Where do you live?
Where do you sleep?
Around.
Around? Here and there?
The pizzeria, "Casa dell'Angelo."
You sleep in the oven, I suppose?
- You don't believe me?
- No!

Film: Faraway, So Close! (In Weiter Ferne So Nah)


Aug
18
reviewed Approve suggested edit on What poem was the inspiration for Rachmaninoff's duet Suite 1 Op 5 mvmt III?
Aug
14
comment What made Mozart unique as an improviser?
I saw a Chick Corea concert on tv years ago where he improvised an overture before playing some Mozart. Too lazy to look it up.
Aug
14
revised Is there a name for this guitar technique for Paganini's Capriccio #6?
better link to scores. link to better video (currently still uploading, but, ... can't wait, you know?)
Aug
14
revised Are there some classical pieces that lend themselves well to guitar?
imslp link
Aug
14
revised Are there some classical pieces that lend themselves well to guitar?
links to videos
Aug
14
revised Fingertip care for guitarists
added 157 characters in body
Aug
14
comment Automatic transcription software with ABC output for Android devices?
@WheatWilliams There is mention of this notation in our meta question about computer notation: meta.music.stackexchange.com/a/75/1344
Aug
13
comment Did any player pianos use card decks?
Some discussion of player-pianos in a "steampunk" context: deadmedia.org/notes/6/064.html
Aug
13
answered Fingertip care for guitarists
Aug
11
comment Why is the ''backbeat'' called the ''rock beat''?
The "classical version" of rocking is in 3/4, exemplified by Schubert's Gretchen am Spinrade.
Aug
9
comment Are the highest pitches always the easiest to hear in a musical texture?
It is a physical stimulus of course, but a psychological response. The Fletcher-Munson measurements, and the subsequent refinements AFAICT are based on reports from human subjects. It can be correlated to physically measurable features of the stimulus, but the effect itself transpires in the hearing and not in the physics.
Aug
9
comment What are the principles for improvising over an ostinato?
One of my recent favs in this form is Wang Dang Doodle
Aug
9
answered What are the principles for improvising over an ostinato?
Aug
9
comment How to rosin a bow?
+1 Welcome to the site. I've heard (and discovered to be true) that brand new rosin can be too shiny to actually transfer anything to a new bow. I used a pocket knife to rough up the surface to get more of the stuff onto the bow. Your suggestion of sandpaper would accomplish much the same, but perhaps more controlled than using a knife.
Aug
9
comment Playing on white notes only
+1 This question is also useful for very limited instruments, like the zither, or the monotron in its major scale mode.
Aug
9
comment Instruments that challenge your ear
I was inspired by your post to buy a Monotron. I've written some initial impressions in the chatroom.
Aug
7
revised Are the highest pitches always the easiest to hear in a musical texture?
a few spelling fixes. and one word-change: discernable->detectable, because 'discern' was already in the sentence.
Aug
6
comment Double Sharps And Double Flats
For the theoretical exercise part, what if you were harmonizing a chromatic passing tone? That could move a major 7th to a doubly-diminished. maybe.
Aug
6
comment How to properly vocalise and sing
While this is generally good advice, the OP is experiencing strain and fatigue which should be remedied by a stronger technique.
Aug
6
revised How to keep from tensing up when I click the metronome faster?
added 35 characters in body