| bio | website | eecs.berkeley.edu/~loarie |
|---|---|---|
| location | Berkeley, CA | |
| age | ||
| visits | member for | 1 year, 2 months |
| seen | Apr 29 at 19:43 | |
| stats | profile views | 7 |
I work as a Systems Administrator and a Technical Consultant to the Helpdesk for the EECS (Electrical Engineering and Computer Sciences) Department at the University of California, Berkeley Campus. This has been my career for the last 24 years which began as an electronics technician. I worked my way to principal electronic tech and then crossed over to systems administration about 12 years ago. My strongest experience is with computer hardware and I am usually the go to guy when laptops and desktops start smoken or won't power up.
One of my most interesting assignments at Berkeley was in 1992. I was put on a special team with NASA trained techs to fabricate an assembly bound for the Arecibo radio telescope. This was a special 4 million FFT based spectrum analyzer for SETI project SERENDIP III under the direction of UC Berkeley physicist Dan Werthimer. I got to build hardware to listen for ET!
In my off hours since 1977 I have been working with music, still photography, and small scale sculptures some involving digital electronics. However in 2008 after a 35 year hiatus I have returned to my own independent cinematic (video) and music productions.
Presently I use a Sony camcorder (HDR-CX500v) and I use Sony Vegas Pro 10 as my main video and music editing suite. I have experience with both Windows Movie Maker and Windows Live Movie Maker, and I am a tiny bit familiar with iMovie. My main instrument is electric guitar while I use my Steinway grand piano and Yamaha S08 synthesizer for composing. I do have a B.S. in Cinematography from SIU-Carbondale, 1974 and a M.F.A. in Electronic Music and Recording Media from Mills College, 1977.
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May 4 |
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Music hardware needed to be able to produce the sounds & style in the following video Don't forget a vocalist, a good mic and engineering. |
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May 1 |
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Dissonance across different octaves If the reference notes are on a piano, then one might take into account the 'bar' like timbre of the piano in the highest octaves vs the string like timbre in the lowest octaves. |
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Apr 30 |
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How to develop musicianship skills? don't forget ear training. |
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Apr 30 |
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What factors affect a guitar's ability to sustain a note? Something related: here music.stackexchange.com/questions/5854/… |
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Apr 27 |
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Is Beethoven's title “Sonata quasi una Fantasia” an oxymoron, and does the title instruct how to perform it? A beautiful moody piece in any century and so very very Beethoven. |
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Apr 26 |
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A good source to learn the theory of chords in an accordion grammer |
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Apr 26 |
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A good source to learn the theory of chords in an accordion deleted 3 characters in body |
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Apr 26 |
answered | A good source to learn the theory of chords in an accordion |
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Apr 19 |
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Why do the notes of a blues scale sound good with the I, IV, and V chords? grammer |
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Apr 19 |
answered | Why do the notes of a blues scale sound good with the I, IV, and V chords? |
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Apr 13 |
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Piano tuning just under the absolute pitch Mind reading refers to the piano tuner as no one here knows what he was thinking, what he perceived and why he made his choices. |
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Apr 13 |
answered | Piano tuning just under the absolute pitch |
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Apr 12 |
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Different types of grace notes Sorry, I should have just provided a link. Thank you Gilly3 for the nice job of cleaning it up. |
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Apr 11 |
answered | Different types of grace notes |
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Apr 9 |
revised |
Penciling in piano fingering added 807 characters in body |
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Apr 9 |
answered | Penciling in piano fingering |
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Apr 4 |
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Relative Major/Minor keys question Not a problem. Keep those whole steps in mind if you ever need to use the whole tone scale. |
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Apr 4 |
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Relative Major/Minor keys question Ditto! I agree Matthew. |
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Apr 3 |
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Relative Major/Minor keys question added 23 characters in body |
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Apr 3 |
answered | Relative Major/Minor keys question |