meta user
network profile
| bio | website | |
|---|---|---|
| location | ||
| age | ||
| visits | member for | 10 months |
| seen | 10 hours ago | |
| stats | profile views | 7 |
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Aug 8 |
asked | What note(s) are a diminished 3rd above D-flat? |
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Aug 8 |
comment |
What is the name of the interval Db - D#? My understanding is that Db->Eb is a major second, not a minor third. |
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Aug 8 |
awarded | Commentator |
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Aug 8 |
comment |
What is the name of the interval Db - D#? I'd +1 this one, but I'm not 100% sure. |
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Aug 7 |
accepted | Inputtting note names into csound |
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Aug 7 |
asked | Inputtting note names into csound |
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Aug 7 |
awarded | Critic |
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Aug 7 |
comment |
Is solfege systems octave-agnostic? Helmholtz-like [scientific pitch notation][en.wikipedia.org/wiki/Scientific_pitch_notation] should be unambiguous and suitable for programming. The only other form I've seen are things like c' =middle c, c'' = c above middle c, and c,, = three c's below middle c. |
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Aug 1 |
comment |
Physiological basis for note durations? I'm also interested if the idea of fixed note durations has cropped up in non-Western musical traditions. |
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Aug 1 |
comment |
Physiological basis for note durations? @filzilla I suspect my question didn't convey my intent very well, but I'll look into the "Psychology of Music". |
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Aug 1 |
comment |
Physiological basis for note durations? This is all pretty conceptual and some artists and composers may take both of these views over time, but it can be kept objective if the focus is on writings that address this kind of concept. |
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Aug 1 |
comment |
Physiological basis for note durations? In today's parlance; consider the range of durations that a quarter note can represent over the range of pieces in 4/4 time: anywhere from close to 2 seconds (or more) to much much less than 1 second. The way in which we "make a song go fast" is viewed as shortening all of the notes. An alternate "conception" would be that instead of shortening all of the notes, instead we making new notes by further dividing of given notes of fixed duration. |
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Aug 1 |
comment |
Physiological basis for note durations? This question is more about the language/notation/concepts used to refer to music, rather than actual performance. |
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Jul 30 |
comment |
Is there a special way to notate a repeat for the right (treble) hand but not the left (bass) hand? I've only seen them called "percent repeats", as in this: Lilypond example repeats |
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Jul 30 |
comment |
One at a time or all at once? Sometimes I think that certain things just need time (not necessarily effort) to gel mentally/physically. You try something, put it aside for a while, and then, boom, when you come back to it, it seems much easier. So having many irons in the fire is a way to keep that up. |
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Jul 28 |
awarded | Teacher |
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Jul 27 |
answered | How to keep guitar strings from breaking so quickly? |
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Jul 27 |
asked | Physiological basis for note durations? |
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Jul 25 |
accepted | Is there any practical difference between 3/4 and 3/8 time? |
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Jul 25 |
answered | Changing the strings: one by one, or by taking all strings off at one time? |
