meta user
network profile
| bio | website | |
|---|---|---|
| location | ||
| age | ||
| visits | member for | 4 months |
| seen | 3 hours ago | |
| stats | profile views | 10 |
I am a composer!
|
3h |
comment |
When did Bach diverge from the style of Palestrina? This is a huge, enormous question that would be better explored by a doctoral dissertation. Bach and Palestrina are considered the pinnacle of counterpoint. The Fux text is based primarily on Palestrina's style, who predated Bach by almost 100 years. |
|
3h |
comment |
Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Bach) I've edited the title and question to make it more focused and concrete. |
|
3h |
revised |
Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Bach) title reflects question, wording, formatting, syntax, grammer, links, correct information, scope of question |
|
4h |
revised |
Beginning counterpoint above or below a cantus firmus clarity of question title to more accurately reflect question |
|
4h |
awarded | Organizer |
|
4h |
revised |
Accidentals in First Species Counterpoint formatting, grammar, syntax, clarity, scope of question |
|
4h |
revised |
Accidentals in First Species Counterpoint formatting, presentation |
|
14h |
comment |
Few Questions on Counterpoint in the Tradition of Johan Fux @ChrisOlszewski - I believe you are reading the clef incorrectly. My response was with respect to each individual voice. The "8" below the treble clef in the CF signifies that is sounds an octave lower than written. In m.3, the "A" would sound a major-third above the "F". The voices do not cross until m.4. The voices cross from mm.4-7. I think that your confusion would be cleared up if you rewrote the cantus firmus in the bass clef to better illustrate how the two relate. There is more than one way to write correct counterpoint; Joseph merely presents one example. |
|
14h |
reviewed | Approve suggested edit on Few Questions on Counterpoint in the Tradition of Johan Fux |
|
16h |
revised |
Few Questions on Counterpoint in the Tradition of Johan Fux added last little bit at the end |
|
16h |
comment |
Ambidextrous instruments @Tim - haha, well done. I think whatever hand you use, you have to be careful with a Bullroar. I've had some dangerous experiences... |
|
16h |
comment |
Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Bach) This question is a bit broad - can you focus the scope? Are you asking about phrasing, harmonic motion, or form? There are many different ways to analyze a piece of music. To answer your second question, no, it does not imply a I6/4 chord. It outlines a V chord. The "B" on beat two is an upper-neighboring tone and the "G" on beat three is a passing tone - what could be seen as a 4-3 suspension. Also, a I6/4 does not make sense as the cadence actually occurs on the downbeat of the following measure. |
|
16h |
answered | Few Questions on Counterpoint in the Tradition of Johan Fux |
|
17h |
answered | Beginning counterpoint above or below a cantus firmus |
|
1d |
reviewed | Edit suggested edit on Ginger Tea for hoarse voice |
|
1d |
revised |
Ginger Tea for hoarse voice sentence construction, clarification |
|
1d |
reviewed | Edit suggested edit on Why is a grand piano better than an upright piano? |
|
1d |
revised |
Why is a grand piano better than an upright piano? I've added a short paragraph about the sostenuto pedal. I would have made this a comment - but don't seem to be able to! |
|
1d |
revised |
Safe remedies for hoarse voice? grammar, word correction |
|
1d |
comment |
Safe remedies for hoarse voice? @theTinMan - you are correct, my apologies. I meant "input signal." I'll edit my answer accordingly. |
