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| visits | member for | 4 months |
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I am a composer!
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9h |
revised |
Accidentals in First Species Counterpoint corrected given information |
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9h |
answered | Accidentals in First Species Counterpoint (continued) |
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1d |
comment |
Diagram and name the form of the opening bars (mm. 1-12) of Haydn's Piano Sonata no.49, I Would you be able to provide a link to the piece in question? |
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1d |
answered | Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Bach) |
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1d |
comment |
When did Bach diverge from the style of Palestrina? This is a huge, enormous question that would be better explored by a doctoral dissertation. Bach and Palestrina are considered the pinnacle of counterpoint. The Fux text is based primarily on Palestrina's style, who predated Bach by almost 100 years. |
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1d |
revised |
Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Bach) title reflects question, wording, formatting, syntax, grammer, links, correct information, scope of question |
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1d |
revised |
Beginning counterpoint above or below a cantus firmus clarity of question title to more accurately reflect question |
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1d |
awarded | Organizer |
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1d |
revised |
Accidentals in First Species Counterpoint formatting, grammar, syntax, clarity, scope of question |
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1d |
revised |
Accidentals in First Species Counterpoint formatting, presentation |
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2d |
comment |
Few Questions on Counterpoint in the Tradition of Johan Fux @ChrisOlszewski - I believe you are reading the clef incorrectly. My response was with respect to each individual voice. The "8" below the treble clef in the CF signifies that is sounds an octave lower than written. In m.3, the "A" would sound a major-third above the "F". The voices do not cross until m.4. The voices cross from mm.4-7. I think that your confusion would be cleared up if you rewrote the cantus firmus in the bass clef to better illustrate how the two relate. There is more than one way to write correct counterpoint; Joseph merely presents one example. |
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2d |
reviewed | Approve suggested edit on Few Questions on Counterpoint in the Tradition of Johan Fux |
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2d |
revised |
Few Questions on Counterpoint in the Tradition of Johan Fux added last little bit at the end |
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2d |
comment |
Ambidextrous instruments @Tim - haha, well done. I think whatever hand you use, you have to be careful with a Bullroar. I've had some dangerous experiences... |
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2d |
answered | Few Questions on Counterpoint in the Tradition of Johan Fux |
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2d |
answered | Beginning counterpoint above or below a cantus firmus |
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2d |
reviewed | Edit suggested edit on Ginger Tea for hoarse voice |
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2d |
revised |
Ginger Tea for hoarse voice sentence construction, clarification |
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2d |
reviewed | Edit suggested edit on Why is a grand piano better than an upright piano? |
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2d |
revised |
Why is a grand piano better than an upright piano? I've added a short paragraph about the sostenuto pedal. I would have made this a comment - but don't seem to be able to! |
