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Dec
22
revised Does this cadence have a name?
Correct the picture
Dec
22
comment Does this cadence have a name?
@Dom: I don't think this short extract sounds very modern? Not jazzy, not bluesy.
Dec
22
comment Does this cadence have a name?
@Shevliaskovic: I wrote the arrangement, and this ending is mine. Measures 3 and 4 are not present in the original composition, measures 1, 2, 5, 6 have the same melody and harmony as the original (which is written for male choir). Common practice was my ambition, but I am not sure the original piece and its harmony make it possible, especially the B7-5 and following tristan chord.
Dec
22
revised Does this cadence have a name?
added 71 characters in body
Dec
22
comment Does this cadence have a name?
Aren't Picardie cadences supposed to end a piece? Are they still Picardie cadences with the third as the bass?
Dec
22
comment Does this cadence have a name?
@Tim: the seventh does nullify the perfect cadence hypothesis, and so does the inversion (which erroneously doesn't show in the chord notation, as NeilMeyer pointed out). The piece continues with a repeat of measures 3 and 4, and ends in a perfect cadence. But I wrote that.
Dec
22
asked Does this cadence have a name?
Dec
22
awarded  Informed
Dec
9
revised What is the scale played on this chord progression?
deleted 3 characters in body
Dec
9
answered What is the scale played on this chord progression?
Dec
9
answered brass: bending notes upwards
Dec
9
comment brass: bending notes upwards
Oh, and I do use this with no half valves, in big band situation. For example, bending down then immediately back (the accent looks like a u).
Dec
9
answered Key choice for brass instruments
Dec
9
comment Key choice for brass instruments
@jjmusicnotes? Only instrument, how about French horn, tubas? I'm not sure why flat keys resonate better with the fundamental of the (open?) instrument? Why would written Bb major (one whole tone below open) resonate better than A major (one and a half tone), and A major worse than Ab major?
Dec
9
comment Key choice for brass instruments
Which partial a tone builds on is nothing you think about when you play, especially if you've been playing since you were a kid. C# comes earlier than Db in the list of key signatures.
Dec
7
comment Key choice for brass instruments
It is from the viewpoint of the arranger that I am asking the question. It is important for the arranger to know what brass players prefer, if given the choice, the arranger could make the one that is easy on the players. I play the trumpet, and when arranging for trumpets I do try to avoid the low C#, because even if it's manageable, depending on the trumpeters' level, its intonation doesn't often get the attention it should. I am guilty of that as a player myself.
Dec
7
comment Key choice for brass instruments
@jjmusicnotes: this assumes concert key. I am talking about playing key. "Sharp keys are harder to tune" is very much of interest, could you develop this?
Dec
5
comment Key choice for brass instruments
I'm not sure about your "crossing breaks" reasoning. I understand that you mean that playing G to G# jumps from one partial to another, but we're talking keys here. You have either a G or a G#. If it's a G you have such a break to the A (or Ab), if it's a G# you have such a break to the F#.
Dec
5
comment Key choice for brass instruments
As @MattPuman wrote, most of them are still adding sharps. Besides, my question is about preferred keys, a given arrangement might fail to make everybody happy.
Dec
5
comment Key choice for brass instruments
I am on page with that concept, but I am sure my references did mean playing key.