Music: Practice & Theory Stack Exchange is a question and answer site for musicians, students, and enthusiasts. It only takes a minute to sign up.

Sign up to join this community
Anybody can ask a question
Anybody can answer
The best answers are voted up and rise to the top

Explore our Questions

0 votes
0 answers
80 views

What is this syncopated jazzy style of harmony on the piano referred to as?

2 votes
2 answers
55 views

An accented or a non-accented passing tone?

0 votes
1 answer
53 views

Why is this augmented 4th bad ? 16th century counterpoint

2 votes
2 answers
68 views

Is this untreated major seventh acceptable because of the tonic pedal? (recapitulation of the 1st mov. of Mozart's Piano Sonata nº 7, K.309)

5 votes
2 answers
427 views

what's the role of Ebmaj7 on this Ebmaj7 D7#9 Gm9 progression?

5 votes
3 answers
140 views

Can a Round Modulate?

4 votes
4 answers
208 views

Is there a term for the combination of melody and harmony, excluding percussion?

5 votes
1 answer
69 views

Clarification on Schoenberg's "pivot tones" in minor from Theory of Harmony

1 vote
1 answer
51 views

Is consecutive 8’s on resolving the 7s in the weak beat against the rules ? 16th century counterpoint 3part 2nd and 4th species fusion

6 votes
3 answers
158 views

SATB chord iib (AKA ii6) doubling

1 vote
3 answers
75 views

Harmonisation when ascending with melodic minor

4 votes
1 answer
213 views

Seems to fit all 3 PAC criteria and yet I'm told it's a root position IAC?

3 votes
6 answers
3k views

Harmonising cadence points in a melody

2 votes
3 answers
114 views

Difference between bVII and vii (diminished 7th) triad

Browse more Questions