Timeline for Fractional phrase length in Chopin's Nocturne Op. 62 No. 1
Current License: CC BY-SA 4.0
9 events
| when toggle format | what | by | license | comment | |
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| Aug 23, 2020 at 6:00 | history | tweeted | twitter.com/StackMusic/status/1297413268890419200 | ||
| Aug 10, 2020 at 5:37 | answer | added | user70304 | timeline score: 2 | |
| Aug 8, 2020 at 17:57 | history | edited | angryavian | CC BY-SA 4.0 |
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| Aug 8, 2020 at 17:36 | comment | added | angryavian | @RosieF I see, that is another good example. There it seems the offset is due to the resolution of each phrase receiving an extra half-bar, which I can make sense of (I think some hymns have 5-bar phrases because the resolution is held an extra bar). It is harder for me to make sense of what is happening in the nocturne though, and the as far as I can tell the ballade is more consistent in that each time that subject returns it is in the same position relative to the barline, unlike the the return of the nocturne's subject. | |
| Aug 8, 2020 at 14:55 | answer | added | Richard | timeline score: 4 | |
| Aug 8, 2020 at 13:40 | review | Close votes | |||
| Aug 23, 2020 at 3:04 | |||||
| Aug 8, 2020 at 12:52 | answer | added | ttw | timeline score: 2 | |
| Aug 8, 2020 at 8:56 | comment | added | Rosie F | Another Chopin example you might like to consider is his fourth Ballade (in f minor). After a 7-bar intro comes the main theme. Though it is written in 6/8, the alternation of strong and weak beats is disrupted many times. | |
| Aug 8, 2020 at 6:25 | history | asked | angryavian | CC BY-SA 4.0 |