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Aaron
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This passage would be harmonized primarily with alternating V and i as shown below. However, while V is the "correct" harmonization of the A octaves, it ruins the effect. Part of what makes this passage so effective is the harmonic ambiguity of the A octave.

Bach Toccata and Fugue opening with Roman numeralsBach Toccata and Fugue opening with Roman numerals

This passage would be harmonized primarily with alternating V and i as shown below. However, while V is the "correct" harmonization of the A octaves, it ruins the effect. Part of what makes this passage so effective is the harmonic ambiguity of the A octave.

Bach Toccata and Fugue opening with Roman numerals

This passage would be harmonized primarily with alternating V and i as shown below. However, while V is the "correct" harmonization of the A octaves, it ruins the effect. Part of what makes this passage so effective is the harmonic ambiguity of the A octave.

Bach Toccata and Fugue opening with Roman numerals

Source Link
Aaron
  • 94.8k
  • 13
  • 122
  • 308

This passage would be harmonized primarily with alternating V and i as shown below. However, while V is the "correct" harmonization of the A octaves, it ruins the effect. Part of what makes this passage so effective is the harmonic ambiguity of the A octave.

Bach Toccata and Fugue opening with Roman numerals