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When composing a figured bass Roman numeral analysis for a chord that has more than one suspension, is it typical to denote both suspensions, as I have done at the end of my analysis?
Thanks,
Nakul
When composing a figured bass Roman numeral analysis for a chord that has more than one suspension, is it typical to denote both suspensions, as I have done at the end of my analysis?
Thanks,
Nakul
When composing a figured bass Roman numeral analysis for a chord that has more than one suspension, is it typical to denote both suspensions, as I have done at the end of my analysis?
Denoting multiple suspensions in figured bass Roman numeral analysis
When composing a figured bass Roman numeral analysis for a chord that has more than one suspension, is it typical to denote both suspensions, as I have done at the end of my analysis?