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Feb 11 at 13:06 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Jul 21, 2023 at 21:41 history edited Some_Guy CC BY-SA 4.0
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Feb 25, 2021 at 4:41 vote accept cuppajoeman
Feb 15, 2021 at 19:27 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 15, 2021 at 19:17 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 15, 2021 at 19:05 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 15, 2021 at 18:50 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 17:51 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 17:49 comment added piiperi Reinstate Monica @jdjazz Thanks for the comments on dim7 chords, I knew there had to be more because a dim7 is completely symmetric. I dodge the "chromatic passing chord" idea even though I play those sometimes, because I don't have any alternative harmonic perspective or interpretation to it. It's like harmonic passing chords like Am7 - G#m7 - Gm7 - very clear and easy to reproduce, but what does the G#m7 do. Calling it "just chromatic" means I haven't yet figured out anything better than that. For the Cdim7 - C ending, to me that sounds like Jailhouse Rock in C: B - C... in disguise.
Feb 14, 2021 at 16:30 comment added jdjazz Nice answer. Re: fully diminished chords in jazz, the ways I think about them are: (a) rootless dom7#9 chords, (b) passing chromatic chords (e.g. | C Maj | Dmin D#dim | E7b9 | ), (c) delayed resolution to major chords (e.g. | Dmin | G7 | Cdim CMaj | ), and (d) none of the above (which sometimes happens too)!
Feb 14, 2021 at 16:19 comment added cuppajoeman Not rambling at all! I learned a ton. I'm definitely going to keep the "every note has a chromatic switch (flat/natural/sharp) idea, it seems to be cool. And thank you for shattering my idea that the song had use the scale that the key is in. I'll be using this answer as a reference in the future as well.
Feb 14, 2021 at 14:40 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 14:29 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 12:56 comment added piiperi Reinstate Monica Oh, about musical interactions. Yes, that's how you can really check how others understood things. You can talk about modes and someone says they understand, but when they start playing you might feel that the tonic is in the wrong place, so ... did they understand or is it a matter of too little practice. Or can we really feel about the tonic so differently.
Feb 14, 2021 at 12:47 comment added Tim Believe me - votes, especially dvs are fickle, and as I say many times, carry no weight without a comment to support them. I don't understand the last sentence, though.
Feb 14, 2021 at 12:46 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 12:43 comment added piiperi Reinstate Monica @Tim Thanks! It's very hard to know what if anything I managed to communicate. Even the up/down votes, maybe someone just had a good feeling for an inexplicable reason. It would be best to be able to play together and have musical interaction.
Feb 14, 2021 at 12:41 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 12:35 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 12:26 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 11:54 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 10:55 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 10:49 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 10:39 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 10:33 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 10:28 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 10:08 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 10:01 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Feb 14, 2021 at 9:49 history answered piiperi Reinstate Monica CC BY-SA 4.0