Timeline for sharp ii dim 7th: How to use?
Current License: CC BY-SA 4.0
10 events
| when toggle format | what | by | license | comment | |
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| Mar 29, 2021 at 3:46 | history | edited | Dom♦ |
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| Mar 28, 2021 at 12:44 | vote | accept | EdB123 | ||
| Mar 27, 2021 at 21:46 | comment | added | Bennyboy1973 | @Tim, I'm guessing it's homework. :D | |
| Mar 27, 2021 at 21:20 | answer | added | Bennyboy1973 | timeline score: 0 | |
| Mar 27, 2021 at 16:42 | answer | added | Richard | timeline score: 4 | |
| Mar 27, 2021 at 16:11 | comment | added | Tim | Maybe more to the point - why does OP want/need #ii? | |
| Mar 27, 2021 at 15:55 | comment | added | musicamante | I agree. Knowing where the progression would/should go (and where it's coming from) would also be much more useful. | |
| Mar 27, 2021 at 15:52 | comment | added | Aaron | @Tim ii in Em is F#, so #ii is Fx. G is iii in Em. The larger problem is that in standard theory there's no such thing as a #ii chord. It would be some kind of applied or common-tone chord. The progression here doesn't make harmonic sense -- at least not without additional context. | |
| Mar 27, 2021 at 14:37 | comment | added | Tim | #ii in key Em is a simple G note - which means it's diatonic, so why use Fx? | |
| Mar 27, 2021 at 14:33 | history | asked | EdB123 | CC BY-SA 4.0 |