Timeline for Doubling notes in orchestration - inversions and extensions
Current License: CC BY-SA 4.0
10 events
| when toggle format | what | by | license | comment | |
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| Mar 29, 2021 at 20:24 | history | edited | Aaron | CC BY-SA 4.0 |
updated tags; minor fixups
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| Mar 29, 2021 at 17:47 | answer | added | musicamante | timeline score: 0 | |
| Mar 29, 2021 at 17:09 | answer | added | Laurence | timeline score: 3 | |
| Mar 29, 2021 at 16:37 | vote | accept | pistacchio | ||
| Mar 29, 2021 at 16:15 | answer | added | Aaron | timeline score: 3 | |
| Mar 29, 2021 at 15:43 | comment | added | user1079505 | In C/G the root note is C, not G (unless what you really mean is G6sus4). | |
| Mar 29, 2021 at 15:18 | comment | added | Tetsujin | I guess the short answer is 'you have to balance them out so the voicing says what you want it to say'. Imagine a 60-piece orchestra with only a triad between them… who plays what? Add a maj7th & what does it say? If the basses are playing it you could be playing the intro to Whiter Shade of Pale'... | |
| Mar 29, 2021 at 15:18 | history | edited | pistacchio | CC BY-SA 4.0 |
added 1 character in body
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| Mar 29, 2021 at 15:16 | comment | added | phoog | C/G is second inversion. First inversion is C/E. | |
| Mar 29, 2021 at 15:11 | history | asked | pistacchio | CC BY-SA 4.0 |