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KeithS
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The chord progressions you want will depend on the sound you're after. You can do quite a lot of creatingcreative songwriting without ever straying from the basic "in-key" chords: I-ii-iii-IV-V-vi-[vii], and if the Top 40 charts are any indication, you can make a pantload of money with very "safe" chord progressions. However, if you don't want to be safe, and want to create new sounds, experimentation is encouraged.

The chord progressions you want will depend on the sound you're after. You can do quite a lot of creating songwriting without ever straying from the basic "in-key" chords: I-ii-iii-IV-V-vi-[vii], and if the Top 40 charts are any indication, you can make a pantload of money with very "safe" chord progressions. However, if you don't want to be safe, and want to create new sounds,

The chord progressions you want will depend on the sound you're after. You can do quite a lot of creative songwriting without ever straying from the basic "in-key" chords: I-ii-iii-IV-V-vi-[vii], and if the Top 40 charts are any indication, you can make a pantload of money with very "safe" chord progressions. However, if you don't want to be safe, and want to create new sounds, experimentation is encouraged.

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KeithS
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    B F G  E
    G D E  C
    E B CC# A
    C G A  F

First off, you'll notice that these four chords all share a lot of notes in common. The key isn't obvious as there's no obvious tonic triad, but C major is a good guess, because both the V7 and vi7 chords are inalthough the progression, and as I've said these two resolve strongly to more consonant chords (V7 to I, vi7 to IV)A7 has a C# which also happen to be presentisn't in this progression (in their maj7 variants)the key.

    G F G  F
    E D E  E
    C B CC# C
    B G A  A
    G G G  F
    E F E  E
    C D CC# C
    B B A  A
    G G A  A
    E F G  F
    C D E  E
    B B CC# C
    B B CC# C
    G G A  A
    E F G  F
    C D E  E
    B F G E
    G D E C
    E B C A
    C G A F

First off, you'll notice that these four chords all share a lot of notes in common. The key isn't obvious as there's no obvious tonic triad, but C major is a good guess, because both the V7 and vi7 chords are in the progression, and as I've said these two resolve strongly to more consonant chords (V7 to I, vi7 to IV) which also happen to be present in this progression (in their maj7 variants).

    G F G F
    E D E E
    C B C C
    B G A A
    G G G F
    E F E E
    C D C C
    B B A A
    G G A A
    E F G F
    C D E E
    B B C C
    B B C C
    G G A A
    E F G F
    C D E E
    B F G  E
    G D E  C
    E B C# A
    C G A  F

First off, you'll notice that these four chords all share a lot of notes in common. The key isn't obvious as there's no obvious tonic triad, but C major is a good guess, although the A7 has a C# which isn't in the key.

    G F G  F
    E D E  E
    C B C# C
    B G A  A
    G G G  F
    E F E  E
    C D C# C
    B B A  A
    G G A  A
    E F G  F
    C D E  E
    B B C# C
    B B C# C
    G G A  A
    E F G  F
    C D E  E
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luser droog
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B F G E
G D E C
E B C A
C G A F
    B F G E
    G D E C
    E B C A
    C G A F
G F G F
E D E E
C B C C
B G A A
    G F G F
    E D E E
    C B C C
    B G A A
G G G F
E F E E
C D C C
B B A A
    G G G F
    E F E E
    C D C C
    B B A A
G G A A
E F G F
C D E E
B B C C
    G G A A
    E F G F
    C D E E
    B B C C
B B C C
G G A A
E F G F
C D E E
    B B C C
    G G A A
    E F G F
    C D E E
B F G E
G D E C
E B C A
C G A F
G F G F
E D E E
C B C C
B G A A
G G G F
E F E E
C D C C
B B A A
G G A A
E F G F
C D E E
B B C C
B B C C
G G A A
E F G F
C D E E
    B F G E
    G D E C
    E B C A
    C G A F
    G F G F
    E D E E
    C B C C
    B G A A
    G G G F
    E F E E
    C D C C
    B B A A
    G G A A
    E F G F
    C D E E
    B B C C
    B B C C
    G G A A
    E F G F
    C D E E
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KeithS
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