Timeline for F#m7 chord in “Misty” in C major
Current License: CC BY-SA 4.0
10 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| S Dec 12, 2023 at 5:11 | vote | accept | Irina | ||
| S Dec 12, 2023 at 4:58 | vote | accept | Irina | ||
| S Dec 12, 2023 at 5:11 | |||||
| S Dec 12, 2023 at 4:47 | vote | accept | Irina | ||
| S Dec 12, 2023 at 4:58 | |||||
| Dec 12, 2023 at 4:46 | vote | accept | Irina | ||
| S Dec 12, 2023 at 4:47 | |||||
| Dec 11, 2023 at 23:10 | comment | added | Mark Lutton | Using F#m7 in C major on the line "how hopelessly I am lost" sounds like something Bach or Handel would do. I wonder if Errol Garner did that on purpose. | |
| Dec 11, 2023 at 22:03 | answer | added | piiperi Reinstate Monica | timeline score: 3 | |
| Dec 11, 2023 at 18:18 | comment | added | Aaron | It would help answer your question if you'd post an image of the measure you're asking about plus a measure on either side. There are many different arrangements of "Misty". | |
| Dec 11, 2023 at 18:13 | answer | added | user1079505 | timeline score: 3 | |
| Dec 11, 2023 at 18:07 | comment | added | Richard | The "melodic-harmonic divorce" may be related here; see music.stackexchange.com/a/72109/21766 | |
| Dec 11, 2023 at 17:38 | history | asked | Irina | CC BY-SA 4.0 |