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Jul 23 at 18:06 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Jul 23 at 16:41 comment added Andy Bonner ... Maybe that says something about our predispositions, and maybe that's part of what Reich wanted to say. But the situation would be different if he had called someone into the studio and had them record a few minutes of audio with the intent of rearranging it into something new. And indeed in some genres that's how it works!
Jul 23 at 16:39 comment added Andy Bonner This of course also touches on the topics of sampling and remixing. When Steve Reich chops up the field recording of Brother Walter's speech for It's Gonna Rain, no one supposes Reich has overstepped his bounds as a "mixer" or that Walter had "composed" something that had been violated. Because we aren't predisposed to view a field recording of improvised street preaching as an aesthetic object to begin with, and are predisposed to view the output of someone who studied composition at Juilliard as such. ...
Jul 23 at 13:01 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Jul 23 at 12:50 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Jul 23 at 12:23 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Jul 23 at 12:16 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Jul 23 at 12:10 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Jul 23 at 6:35 comment added Dekkadeci Your "Ha ha ha py py birth birth day day to to to to" reference reminds me strongly of certain electronic music arrangement styles that chop up and repeat snippets of the original song. I recall that the soundtrack of Super Kirby Clash used those arrangement styles a lot (I also read that the sound staff for that game were under a nasty time crunch, which also explains why so few original compositions and non-sampling arrangements were made for it).
Jul 22 at 23:08 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Jul 22 at 22:57 history edited piiperi Reinstate Monica CC BY-SA 4.0
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Jul 22 at 22:52 history answered piiperi Reinstate Monica CC BY-SA 4.0