Timeline for Proper use of voices in more complicated melodies
Current License: CC BY-SA 4.0
11 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| S Sep 16 at 14:38 | vote | accept | Dr Ocelot | ||
| S Sep 16 at 14:38 | vote | accept | Dr Ocelot | ||
| S Sep 16 at 14:38 | |||||
| Sep 16 at 14:38 | vote | accept | Dr Ocelot | ||
| S Sep 16 at 14:38 | |||||
| Sep 14 at 16:01 | answer | added | Laurence | timeline score: 1 | |
| Sep 14 at 14:02 | comment | added | Lars Peter Schultz | @Tim You can say that of course. | |
| Sep 14 at 0:13 | history | became hot network question | |||
| Sep 13 at 20:24 | comment | added | Tim | @LarsPeterSchultz - that's just a personal choice, each to his own. | |
| Sep 13 at 20:03 | comment | added | Lars Peter Schultz | @Tim Personally I would prefer the bass clef notes to be written exactly as they are written. You can actually see how many leger lines there are right away at a glance without really counting. No reason for an 8vb sign.. | |
| Sep 13 at 17:41 | answer | added | Aaron | timeline score: 4 | |
| Sep 13 at 16:50 | comment | added | Tim | I'd be inclined to write the bass clef one octave higher, and use the legend 8vb rather than use all those leger lines. The objective of written dots is to make things as easy to read as possible. | |
| Sep 13 at 16:12 | history | asked | Dr Ocelot | CC BY-SA 4.0 |