Timeline for What to look for in the musicians you play with
Current License: CC BY-SA 3.0
5 events
| when toggle format | what | by | license | comment | |
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| Jan 2, 2019 at 11:51 | comment | added | Tim | It can be detrimental to 'practise with lesser skilled musicians'. Many a time I've attended rehearsals and had time wasted because a player hasn't prepared or can't get a particular thing. Especially when that time is being paid for in a rehearsal studio. Left several bands for that very reason. | |
| S Apr 15, 2014 at 16:22 | history | suggested | Robert Harvey | CC BY-SA 3.0 |
Removed meta commentary.
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| Apr 15, 2014 at 16:01 | review | Suggested edits | |||
| S Apr 15, 2014 at 16:22 | |||||
| Apr 14, 2014 at 16:35 | comment | added | Alexander Troup | Perhaps there's also a balance to it. If I decide to play with only pro jazz players, I'll likely find myself being booted out before I get a chance to learn anything! Robert Fripp's advice was to always play with players one rung above the ladder from you, because 2 and you're no use to them. | |
| Apr 14, 2014 at 16:26 | history | answered | MrTheBard | CC BY-SA 3.0 |