Timeline for Why is bII 7(b5) considered a dominant?
Current License: CC BY-SA 4.0
5 events
when toggle format | what | by | license | comment | |
---|---|---|---|---|---|
Jun 24, 2019 at 15:47 | history | edited | Tim | CC BY-SA 4.0 |
deleted 1 character in body
|
May 26, 2014 at 14:10 | history | edited | Caleb Hines | CC BY-SA 3.0 |
deleted 2 characters in body
|
May 26, 2014 at 14:00 | history | edited | Caleb Hines | CC BY-SA 3.0 |
deleted 1 character in body
|
May 26, 2014 at 13:58 | comment | added | Caleb Hines | Another motivation for this substitution is the smooth chromatic progression in the bass. Your typical jazz progression is ii7-V7-IM7, where the bass jumps from 2 to 5 to 1. But with this substitution, the bass just walks down by half steps: ii7-bII7(b5)-IM7. | |
May 26, 2014 at 13:54 | history | answered | Caleb Hines | CC BY-SA 3.0 |